Jean Epstein

Quote:
MOR-VRAN starts with a shot of the sea, followed by one of the map of the Breton coastline. Next, we see images of the various islands off the coast: harbours, a mill, sheep, a lighthouse, cemeteries. The women are dressed in black. In the port of Brest there is a great hustle and bustle. A sailor pays a visit to the fair and wins a chain. He returns to the island of Sein by boat. As the result of a storm he will never get there. After a few weeks, his body, with the chain, washes ashore. On Sein, people start repairing the damage caused by the storm. A young couple talks about the future, about buying a house and a boat. A widow visits a graveyard. With MOR-VRAN, Jean Epstein continued his series of films about the Breton coast. This documentary was obviously conceived as a silent movie: inserted titles explain the action, while music accentuates the atmosphere. Epstein creates a gloomy atmosphere by using pregnant images: the sea leaves serious scars on the islands off the Breton coast. Nevertheless, life goes on.Read More »

Psychological narrative avantgarde film about a wealthy young businessman who consecutively falls in love with a classy English woman (Pearl), a Russian sculptress (Athalia), and a naive working-class girl (Lucie). Overpowered by weakness, the coward sidesteps the obligations that love affairs impose: rather than living up to his dates he takes his sports-car from an ultra-modern garage and speeds to the fashionable beaches of Deauville. On his way, he is fatally hit by a descending swallow. The film is divided into three segments each of which consists of events the woman experienced. These sequences are embedded in scenes in which each of the three women is telling and casting her mind back to her own love affair. Thus, present, future and past merge and cannot be distinguished clearly. The intertwinement of several layers of time experience, recollection, telling and showing have been regarded as a source of inspiration of Alain Resnais and this film prefigures his “L’Année dernière à Mariënbad” to a certain extent.Read More »

In a village in Brittany, a young maid and an old woman are spinning while the wind blows threateningly outdoors. In spite of the bad omen, the young maid’s boyfriend decides to sail away. Worried, the young maid ask for help to a mysterious old man and his magical crystal ball in order to calm down the rough seas.Read More »

In the kingdom of the Moguls, Prince Roudghito-Sing, a young officer of the palace, falls in love with Zemgali, a captive princess held prisoner and coveted by the Grand Khan. Fleeing the country, he takes refuge in Paris and his presentability allows him to be hired as an actor by a French film company. The trouble is that Anna, the star of the movie, is attracted to him. Which displeases banker Morel, the producer and Anna’s lover…Read More »

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Countess Laure Maresco falls in love with a player, Jacques Prémont-Solène. He loses a large sum and dreams of suicide. Laure prevents her, before learning that her lover has squandered the recipe for a charity party that she attended. His family sends the young man to America to put an end to the scandal. Twenty years later, after a fortune, he returns.Read More »

Set before the French Revolution, the film tells the story of Bernard De Mauprat, a noble orphan, raised by despicable aristocrats, who is saved from the gallows by his cousin Edmée and his father, the knight Hubert De Mauprat. The return of Bernard causes tensions within Mauprat’s family since him tries to win the heart of his cousin Edmée (Knight of La Marche’s fiancée) after obtaining her pledge of loyalty under a certain threat of rape.Read More »

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Jean Bernard, industrial designer, is an only child and has lost his father. He is in love with Blanche Dumas, secretary to a bank manager. One day, he visits his mother who lives in the small village of Livilliers and spends the night there. The next morning, police arrive to arrest him. His mother does not understand what he is accused of and will discover that he would have murdered the banker who was making advances to Blanche.Read More »

Synopsis:
The Ushant archipelago is a group of small islands situated off the coast of Brittany at the northwest extremity of France. Each year, four fishermen from the most populated island Ushant set up camp for three months on the uninhabited islet of Bannec to gather and process seaweed, producing a valuable soda-rich resource for factories along the coast. JeanMarie and Ambroise, the two youngest members of the four, fall out when the latter drops his friend’s last bottle of wine. Ambroise finds himself ostracised when Jean-Marie accuses him of stealing his pocket knife and then develops a fever when infection sets in on a hand wound. Read More »

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A leading member of the French cinema’s avant-garde movement and the director of the Impressionist classic Coeur fidèle (1923), Jean Epstein broke with his more modernist colleagues in the late 1920s to make documentaries and fiction films grounded in the realities of everyday life. Before that evolution, however, Epstein filmed this adaptation of two Edgar Allan Poe stories: “The Fall of the House of Usher” (1839) and “The Oval Portrait” (1850). The film’s significance lies not so much in its fidelity to Poe’s stories as in its atmospheric evocation of the author’s gothic sensibility. Read More »