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The film presents a succession of inanimate images of the Genbaku dome, the Peace Memorial in the Japanese city of Hiroshima.
To the gentle, haunting music of Current 93 (‘Larkspur and Lazarus’), some 650 images scroll past, all centred on the architecture of this symbolic edifice, the only building still standing after the atomic bomb exploded on the city on 6 August 1945.Read More »
La Fraction Armée Rouge (RAF), organisation terroriste d’extrême gauche, également surnommée « la bande à Baader » ou « groupe Baader-Meinhof », opère en Allemagne dans les années 70. Ses membres, qui croient en la force de l’image, expriment pourtant d’abord leur militantisme dans des actions artistiques, médiatiques et cinématographiques. Mais devant l’échec de leur portée, ils se radicalisent dans une lutte armée, jusqu’à commettre des attentats meurtriers qui contribueront au climat de violence sociale et politique durant « les années de plomb ».Read More »
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Périot’s inspired third feature invites French high school students to reenact key scenes from RESUMPTION OF WORK AT THE WONDER FACTORY, WITH THE BLOOD OF OTHERS, Godard’s LA CHINOISE and other 1960s and 70s films which deal with radical politics. These reenactments are intercut with discussions that explore what, if anything, the subjects of these scenes mean to the students now. Both a lesson in film history and a snapshot of the political present, this smart and subtle film proposes an original perspective on the contemporary state of French cinema’s radical past.Read More »
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At the end of the 1960s the post-war generation began to revolt against their parents. This was a generation disillusioned by anti-communist capitalism and a state apparatus in which they believed they saw fascist tendencies. This generation included journalist Ulrike Meinhof, lawyer Horst Mahler, filmmaker Holger Meins as well as students Gudrun Ensslin and Andreas Baader.Read More »