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Sinewy fissures splinter the geometric confections and viscous pools of decaying nitrate are set dancing to the slightly warped sounds of Tommy Dorsey and Raymond Scott’s big band jazz.
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A study of the single frame and rhythms that can be read by the eye. Constructed by cutting, pasting, and painting both clear film and filmed images.Read More »
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Chronic is an experimental narrative of one young woman living with “so-called” mental illness. Beautiful and skillful, it probes her misogynistic and violent surroundings for the motives behind her compulsive self-mutilation.Read More »
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Over six years on and off in the making, Jennifer Reeves’ debut feature “The Time We Killed” is a beautiful, impressionistic and deeply personal cinematic poem that, even though it takes the point of view of a so-called mentally disturbed woman, captures a clear view of the world that we live in now. Somewhat of a companion piece to Reeves’ earlier half-hour short “Chronic”, “The Time We Killed” combines elements of experimental film, narrative cinema, documentary to create a stellar example of personal filmmaking that operates on multiple levels — psychological, sociological, political, and even technological.Read More »