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It began life as La Vengenza del sexo, a cheap little melodrama shot in only two weeks by Emilio Vieyra, one of the few Argentinean directors to make fantastic films. The American rights for it and another Vieyra film, Placer sangriento (Bloody Pleasure, which became The Deadly Organ) were bought by Jerald Intrator, the director of movies like Striporama (yes, the one with Bettie Page). Intrator proceeded to insert almost twenty minutes of nude people into Vengenza, feeling, with it’s already liberal amount of nudity, its proper place was in the adult market.Read More »