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In 2017 I invited Jerome Hiler to the Harvard Film Archive to present Cinema Before 1300, an illustrated lecture he had delivered on several occasions whose title and subject intrigued me. A talk on medieval stained glass, accompanied by Hiler’s own still images taken over the years, principally in those cathedrals in France and the UK that today remain among the last repositories of this now lost luminary art and craft. The event that unfolded was mesmerizing and moving, a meditation on stained glass as a popular and devotional art, and as a precursor to cinema.Read More »