This is a remake of Charade with Cary Grant and done with a few twists that make it interesting. A well to do couple in Paris are headed for divorce. The woman finds out her husband is dead before she gets the chance to ask for the divorce. She finds this out when she returns to their residence to find everything in it is gone. Two members of the French police are there and inform her of her husbands death. She encounters several people who want money stolen by her husband. Read More »
When his wife is killed in a restaurant shoot-out, intelligence man Harry Hannan (Roy Scheider) has a breakdown and finds that his department doesn’t want him back. Someone’s trying to kill him and it could be them, though a cryptic Jewish death-threat suggests there’s something else going on. His only ally seems to be mousy Ellie Fabian (Janet Margolin) who has managed to move into his New York apartment. Read More »
23 March 2010 | by MisterWhiplash (United States)
There’s something about the way Neil Young ends a song that is unique to him. Actually, a lot of rockers tend to do it, but not to the extent Young seems to do it. That is, just when you think the song is about to reach the end (that is, based on how one has heard the song so many times on an album), it goes on a little longer, or even for another several bars. Take the last song before the encore, ‘Like a Hurricane’. Just when you think the song ends, Young keeps plucking those strings, getting that distortion going, and the band, for maybe just a moment, is not sure if the song is over yet either. They could go on, or stop right there. Read More »
The interlaced stories of several characters in a small town united by their use of CB (citizen’s band) radio. Read More »
An Arkansas farmer stages a one-man war against corrupt land developers who want to evict him and his neighbors from their farms for real estate developments. Read More »
Jonathan Demme’s fantastic concert film of cult music favorite Robyn Hitchcock.
The 1998 Variety review:
The eccentric appeal of Brit singer-songwriter Robyn Hitchcock gets a nice permanent showcase in Jona-than Demme’s third performance-record feature.
The eccentric appeal of Brit singer-songwriter Robyn Hitchcock gets a nice permanent showcase in Jona-than Demme’s third performance-record feature. While unlikely to have the same impact as helmer’s two prior such breaks from major studio projects — Talking Heads concert pic “Stop Making Sense” and Spalding Gray monologue “Swimming to Cambodia,” both watersheds for their type — pic should scare up some change in limited release for Orion, then enjoy decent shelf life via rep-house, vid and cable circuits. Read More »
A wildly inventive and entertaining comic nightmare from former Roger Corman prodigy Jonathan Demme (The Silence of the Lambs), this screwball odyssey is a ride to remember. Jeff Daniels plays clean-cut New York bond trader Charlie Driggs, who accepts a ride home from a strange but attractive lower-class woman named Lulu (Melanie Griffith). The sexy Louise Brooks lookalike doesn’t take him home, but shanghais him for a bizarre roadtrip to Virginia that includes kinky bondage sex, destruction of property, and robbery. Things get stranger when Lulu tells Charlie that her real name is Audrey and takes him home to meet her mother, asking him to pose as her husband. Read More »