British teenager Leo Colston (Dominic Guard) spends a summer in the countryside, where he develops a crush on the beautiful young aristocrat Marian (Julie Christie). Eager to impress her, Leo becomes the “go-between” for Marian, delivering secret romantic letters to Ted Burgess (Alan Bates), a handsome neighboring farmer. Read More »
Three female frequenters of a steam room decide to fight its closure. Read More »
An American tourist, a youth gang leader, and his troubled sister find themselves trapped in a top secret government facility experimenting on children. Read More »
Monica Vitti is Modesty Blaise, fabulous international spy-slash-jewel thief. She is hired by Sir Gerald Terrant (Harry Andrews) of the British government — I think, but I’m not sure, for reasons I’ll explain momentarily — to make sure £50 million in diamonds gets to the proper Middle Eastern sheik in exchange for oil reserves. Modesty warns them that if she is not told the full story about the diamonds and the plans to rob them en route, she will consider herself a free agent and steal the diamonds for herself. Thus begins a strange series of events that are part spy spoof, part random stream of consciousness events, and partly based on the long-running comic strip begun in 1963. Read More »
Beautifully dark movie which grants Mia Farrow the freedom to showcase the strange range of her gift. Elizabeth Taylor stays close with a deep and sensitive touch, flashing a legitimate side of herself, oft covered up. Robert Mitchum achieves repulsive perfection lurking in the garden, symbolic of the disgust and fear we share in our hide. The entire cast in breath and stone include every sense in totality, placing the actors and ourselves together to spy on each other from above, and within the ornamental mansion. Intense hallucinogenic 1968 camera shots intimately portray the family by chance’s horrific existence. Read More »
One of the powerhouses of the 1950s, Time Without Pity is the first film that Joseph Losey signed with his own name after being blacklisted and fleeing the U.S. In effect, it’s the film in which Losey proclaimed himself a Brit, as eager and willing to skewer the establishment there as he had done on the other side of the Atlantic. It’s the one with Michael Redgrave, in a bravura performance, as the alcoholic father in a race against the clock to save his son, whom we know is innocent, from being executed for murder. The film takes aim at capital punishment. Read More »
THE BIRD HAS COME FOR ITS PREY.
Two escaped convicts (Robert Shaw and Malcolm McDowell) are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black helicopter. Read More »