Jules Dassin

Sarah (O’Neal) is fifteen going on sixteen, and lives at home. Dad’s an Egyptologist; Mom refuses to acknowledge any generation gap; boy-friend wants to get her into the sack, but she refuses. Dodging him one day she meets Ashley (Burton), a once-chic artist who’s currently light on inspiration. He might be sixty but he’s hunky in that experienced way, and he has a Bohemian haven in the country where he plays Vivaldi. The pair get literary and have intense chats in which Sarah learns the difference between the Sistine Chapel and Burger Kings. Sarah tries the physical, but Ashley sagely demurs. Mom and Dad are horrified by the liaison.Read More »

During a thunderstorm, Greek alcoholic Maria, her English husband, Paul, their small daughter Judith, and traveling companion Claire seek refuge overnight in a small Spanish hotel. While drinking Maria observes Paul and Claire embracing on a balcony and is strangely excited.Read More »

PLOT: At overcrowded Westgate Penitentiary, where violence and fear are the norm and the warden has less power than guards and leading prisoners, the least contented prisoner is tough, single-minded Joe Collins. Most of all, Joe hates chief guard Captain Munsey, a petty dictator who glories in absolute power. After one infraction too many, Joe and his cell-mates are put on the dreaded drain pipe detail; prompting an escape scheme that has every chance of turning into a bloodbath.Read More »

Humble stamp dealer Otto Becker has little to do with international politics, so when he receives a surprise visit from his estranged twin brother and Nazi spy, Baron Hugo Von Detner, his world is thrown into turmoil. Threatening Becker with deportation, Hugo forces him to use his shop as a front for espionage. But when Becker’s friend Professor Sterling turns up dead, Becker accidentally shoots his brother and assumes his identity.Read More »

Synopsis:
“Uptight” is an updated remake of John Ford’s 1935 film, “The Informer”. Dublin becomes the Cleveland ghetto and the Irish Republicans are replaced by black revolutionary fighters. Days after the assassination of Martin Luther King, Tank Williams (Julian Mayfield) is an unemployed and itinerant steelworker who turns over his militant friend, Johnny Wells (Max Julien) to the police for $1,000 reward, resulting in an underground all-points bulletin to exact vengeance on the squealer. Legendary director, Jules Dassin’s unrelenting directional pace is complemented by the driving score of Booker T. Jones. The stellar cast includes Raymond St. Jacques, Ruby Dee, Roscoe Lee Browne, and Frank Silvera.Read More »

William K Everson writes:
Brute Force was touted as being by far the toughest and most violent prison film Hollywood had ever made. Many European censors felt the same way and scenes were shortened for overseas release. Actually, the violence is essentially surface violence, and earlier prison films had been rougher in a psychological sense. Nevertheless, with all of those noir icons in the cast and behind the camera (especially Miklos Rosza’s music) the film made a welcome break in the increasingly formularized cycle of big-city crime noir films. Read More »

Quote:
The husband and wife team of director Jules Dassin and actress Melina Mercouri, who first enjoyed international success with the comedy Never on Sunday, collaborated for the last time on this powerful drama. Maya (Melina Mercouri) is a famous actress who is returning to the stage for a production of the classic Greek tragedy Medea, in which she will play the title character, a mother who murders her children. Kostas (Andreas Voutsinas), Maya’s former lover, will be directing Maya in the production, and when he discovers that Brenda (Ellen Burstyn), an American woman, is housed in a nearby Greek prison for killing her offspring, he suggests that Maya should meet Brenda as a means of better understanding her character. Read More »

IMDB:
Frenchwoman Michele de la Becque, an opponent of the Nazis in German-occupied Paris, hides a downed American flyer, Pat Talbot, and attempts to get him safely out of the country.Read More »

The meanest, heaviest, most unrelentingly grim hunk of American cinema you’re likely to see– at least prior to 1950– Brute Force is an explosive hybrid mixing aspects of the string of stark prison melodramas that stretch back to the silent era, and the broodingly dark crime dramas that sprung up in the postwar 1940’s that we’ve since come to identify as Film Noir.

One of my personal favorite ‘noir’s of all time, Brute Force features a young, highly flammable Burt Lancaster (in his second film role, his followup to Siodmak’s The Killers, another crime drama produced by Mark Hellinger) in the role of inmate Joe Collins, a part that seems to fit him like a glove. A seething prisoner barely able to contain his rage over his incarceration and the vicious machinations of the warden, Joe dominates the men in his cellblock by the raw power of his presence.Read More »