Jürgen Böttcher

  • Jürgen Böttcher – Der Sekretär AKA The Secretary (1967)

    Quote:
    Presentation of a commited State Party (Socialist Unity Party of Germany) secretary at the Chemicals Combine in Buna. A former miner and small farmer rises to a leading political position – symbol of a typical Party career.Read More »

  • Jürgen Böttcher – Stars (1963)

    Quote:
    This black and white documentary film reports on a brigade of women, they are the “stars” of a Berlin light bulb factory. What is striking is the cordiality and good cooperation within the women’s group, despite their monotonous work in the control area in the production of tungsten wires, also called filaments. Original tones are inserted to convey the joys, the cheerfulness and quick-wittedness that they have despite their burden of family and work. A problem of the wrong way of counting the female workers is openly addressed by the brigade leader and in a countercut Inge introduces her baby to her colleagues in the company. Everything seems like one big family and nobody can really imagine being without this work.Read More »

  • Jürgen Böttcher – Ofenbauer AKA Furnace Builders (1962)

    Quote:
    At the Eisenhüttenkombinat Ost an der Oder, a new blast furnace is being moved to replace a burnt-out one. 2000 tons have to be moved 18 meters: Three times we hear it in the commentary. Master Klaus is now in command. His orders are to be obeyed at all costs. Men at work: tense faces, examining hands, the sound of screeching winds and steel cables stretched to breaking point. Everything is going well, and it is a new best performance: The downtime of the plant has been reduced from 80 to 40 days, the commentary says.Read More »

  • Jürgen Böttcher – Im Pergamon-Museum AKA In the Pergamon Museum (1962)

    Quote:
    A cinematic visit to the Pergamon Museum in Berlin. The camera usually observes the visitors and paints their views on scenes of the ensemble of figures. The amazement at the beauty and grace of the antique sculptures is reflected in the faces of the viewers and emotion is palpable. The visitors come from all over the world – one sees Indians, Asians, Blacks. All age groups are represented, from children to old people. They come individually or in groups and communicate about what they see. The film gets along without any comment. You see more pictures of the visitors than of the altar. This means that it is important for the film to show the cultural interest of the people. Gerhard Rosenfeld creates atmospheric music with a classical feel to it. An early and extremely interesting work by the great documentary filmmaker Jürgen Böttcher.Read More »

  • Jürgen Böttcher – Notwendige Lehrjahre AKA Necessary Years of Learning (1960)

    Quote:
    Böttcher made his graduation film NOTWENDIGE LEHRJAHRE (1960) about young people who had become delinquent in a youth work yard in Thuringia. Already here a striking feature of his later films becomes apparent: Jürgen Böttcher gives his protagonists a lot of space; he approaches them without prejudice, empathetically and carefully. In addition, his curiosity can be felt in the life situations and stories of his characters.Read More »

  • Jürgen Böttcher – Die Mauer AKA The Wall (1991)

    A documentary about the deconstruction of the Berlin Wall which makes no use of vocal commentary but instead focuses on visual elements. From the Potsdamer Platz to the Brandenburg Gate, the camera captures the historic events from all sides and different angles: on the one hand there are news reporters and tourists from all over the world taking pictures, children selling pieces of the wall to passers-by, and people celebrating New Year’s Eve, on the other we see abandoned subway stations and officials with blank looks on their faces.Read More »

  • Jürgen Böttcher – Jahrgang ’45 AKA Born in ’45 (1966)

    Synopsis:

    ‘Li and Al share a cramped little room in an old building, which goes a long way towards explaining why they are thinking of divorce. It is practically impossible for Lisa and Alfred to find another fiat in their district, Prenzlauer Berg, Berlin. Particularly Al feels shut in, cramped and that his personal freedom is curbed. He is an enthusiastic car mechanic and motor-bike freak but cannot pursue his interests and hobbies. He wants to discover new things and tryout his own potential, developing his abilities to the full.Read More »

  • Jürgen Böttcher – In Georgien AKA In Georgia (1988)

    Quote:
    In 1986 and 1987, Jürgen Böttcher and his crew travelled to Georgia to film this fascinating country and its people. Böttcher, the painter, was particularly interested in the art of Georgian painter Niko Pirosmanishvili whose oeuvre he had seen in an exhibition in Berlin 20 years ago. Although it was clear for him that times had changed, he reckoned that some of the atmosphere depicted in Pirosmanishvilis paintings should still be there. Thomas Plenert, his director of photography, had been in Georgia a couple of years before, and had been overwhelmed. Another influence was Georgias most well-known contemporary filmmaker, Otar Iosseliani.Read More »

  • Jürgen Böttcher – Rangierer AKA Shunters (1984)

    Quote:
    A shunter’s job is to slow down, link, and unlink train wagons at a central station. The film documents – without any commentary – the working hours of few shunters at the shunting-station Dresden-Friedrichstadt, which was the largest such station in all of the former German Democratic Republic. They work day and night, amidst snow and fog at the railway tracks, speaking only as much as necessary.Read More »

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