SYNOPSIS
An experimental film featuring a split screen. On the right, a number of people appear moving upwards – symbolizing the ruling class. On the left, we see a production line in a factory, where the products of human labor pass by. Towards the end, the products become human body parts.Read More »
SUMMARY
The film recalls various periods of Greece’s history. Sfikas studies and interprets the artistic movements of his time, influenced by eighties Post-Modernism. Starting in antiquity, he passes through the Byzantine and feudal eras and ends up in capitalism, without proposing this as a final end. Following the spire of this development, Sfikas resorts to poetic allegory. His cinematic oratorio, where angels are crushed in the abyss of civilizations, is something more than the transformation of a philosophical idea into a film; it becomes the very soul of the poet who wonders about its perpetual evolution.Read More »