Luchino Visconti

Luchino Visconti – Morte a Venezia AKA Death in Venice (1971) (HD)

Quote:
In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period of artistic and personal stress. But he finds no peace there, for he soon develops a troubling attraction to an adolescent boy, Tadzio, on vacation with his family. The boy embodies an ideal of beauty that Aschenbach has long sought and he becomes infatuated. However, the onset of a deadly pestilence threatens them both physically and represents the corruption that compromises and threatens all ideals. Read More »

Luchino Visconti – La Caduta Degli Dei (Götterdämmerung) AKA The Damned [English dub] (1969)

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This brooding, operatic movie about Nazism makes Cabaret look like wholesome family fare. The family in The Damned is a symbol of German society circa 1934. The Krupp-like steel magnate Baron von Essenbeck represents the spineless establishment. The Nazis kill the baron, then frame one heir apparent, a socialist (married to the stunning Charlotte Rampling). A bearish, boorish Essenbeck representing the SA, the Nazis’ early goon squad, takes the reins. But Hitler murdered the SA in the 1934 “Night of the Long Knives,” providing The Damned with its bravura action scene, a Nazi massacre at a gay SA orgy. The winning Essenbeck is the murderous, pedophilic, transvestite, mother-rapist Martin (sharp-featured Helmut Berger), who represents Nazism. Though he’s better in director Luchino Visconti’s 1971 Death in Venice, Dirk Bogarde is classy as Martin’s stepdad. The Damned got an Oscar screenplay nomination, and Vincent Canby called Berger’s Martin “the performance of the year.” Read More »

Luchino Visconti – La Caduta Degli Dei (Götterdämmerung) aka The Damned (1969)

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The Damned has often been regarded as the first of Visconti’s films described as “The German Trilogy”, followed by Death in Venice (1971) and Ludwig (1973). Henry Bacon (1998) specifically categorizes these films together under a chapter “Visconti & Germany”. Visconti’s earlier films had analyzed Italian society during the Risorgimento and postwar periods. Peter Bondanella’s Italian Cinema (2002) depicts the trilogy as a move to take a broader view of European politics and culture. Stylistically, “They emphasize lavish sets and costumes, sensuous lighting, painstakingly slow camerawork, and a penchant for imagery reflecting subjective states or symbolic values,” comments Bondanella. Read More »

Luchino Visconti – Il gattopardo AKA The Leopard (1963)

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Luchino Visconti’s “Il Gattopardo” is an epic on the grandest possible scale. The film recreates, with nostalgia, drama, and opulence, the tumultuous years of Italy’s Risorgimento, when the aristocracy lost its grip and the middle classes rose and formed a unified, democratic Italy. Burt Lancaster stars as the aging prince watching his culture and fortune wane in the face of a new generation, represented by his upstart nephew (Alain Delon) and his beautiful fiancée (Claudia Cardinale). Awarded the Palme d’Or at the 1963 Cannes Film Festival, “Il Gattopardo” translates Giuseppe Tomasi di Lampedusa’s novel, and the history it recounts, into a truly cinematic masterpiece. Read More »

Luchino Visconti – Le notti bianche AKA White Nights [+extras] (1957)

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Synopsis:

A chance encounter on a canal bridge results in a series of twilight rendezvous between a lonely city transplant (Marcello Mastroianni) and a sheltered woman (Maria Schell) haunted by a lover’s promise. Their hesitant courtship soon entangles both of them in a web of longing and self-delusion. Adapted from the Fyodor Dostoyevsky short story, director Luchino Visconti’s Le notti bianche—shot in ravishing black and white—is a romantic, shattering tale of the restlessness of dreamers. Read More »

Luchino Visconti – Bellissima (1951)

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Maddalena (Anna Magnani) is a screenstruck mother convinced of her daughter Maria’s (Tina Apicella) star potential. Dreaming of a better life for her family – as a means of escape from the struggles of everyday existence in working-class Rome – she invests everything, including her last penny, into the dream that her daughter will be discovered at an open casting. Read More »

Luchino Visconti – Rocco e i suoi fratelli aka Rocco and His Brothers (1960)

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The widow Rosaria moves to Milano from Lucania with her 4 sons, one of whom is Rocco. The fifth son, Vincenzo, already lives in Milano. In the beginning, the family has a lot of problems, but everyone manages to find something to do. Simone is boxing, Rocco works in a dry cleaners, and Ciro studies. Simone meets Nadia, a prostitute, and they have a stormy affair. Then Rocco, after finishing his military service, begins a relationship with her. A bitter feud ensues between the two brothers, which will lead as far as murder… Written by Kornel Osvart
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