The third part of a (so far) tetralogy named “Odio desencadenada” that exists somewhere in the intersection between comedy, melodrama and experimental theatre improvisation.
The action revolves around a tennis club and its owner, Manuel, as well as his employees: a miserable and insecure accountant, and the equally insecure assistant and classic guitar aficionado, Luján. The series begins with Manuel hiring two new employees—his childhood friend Sergio and a extremely aggresive and resentful tennis teacher—and follows the entanglements between these characters, their feelings and, most often than not, their frustration at their inability to properly express them.Read More »