Lucio Fulci

Lucio Fulci – City of the Living Dead (1980)

Synopsis:
In the small New England town of Dunwich, a priest commits suicide by hanging himself in the church cemetery which somehow opens the gates of hell allowing the dead to rise. Peter, a New York City reporter, teams up with a young psychic, named Mary, to travel to the town where they team up with another couple, psychiatrist Jerry and patient Sandra, to find a way to close the gates before All Saints Day or the dead all over the world will rise up and kill the living. Read More »

Lucio Fulci – Gatto nero AKA Black Cat (1981)

Synopsis:
Patrick Magee is a psychic that can communicate with the dead. He also has the ability to control the mind of his cat (who incidently is black). He uses the cat to take vengeance upon his enemies. A photographer (Mimsy Farmer) who happen to be working for the local constables (David Warbeck, Al Cliver) begins to notice cat scratches on some of the accident victims that are turning up. She pays a visit to Magee (kitty just happens to be present) and conveys her suspicions of the cat’s involvement in some of the local deaths. Kitty doesn’t like this at all, and it’s his turn to control the mind of owner Magee to take it’s vengeance out. Read More »

Lucio Marcaccini – Roma drogata: la polizia non può intervenire AKA Hallucination Strip (1975)

Lucio Marcaccini’s only film, Hallucination Strip is a psychedelic trip with a social commentary. Bud Cort, in his debut performance, plays Massimo Monaldi, a student involved in political protests and juvenile delinquency. When Massimo steals a valuable tobacco box, he quickly becomes tangled in a dangerous web between the police and the mafia. Culminating in an extended and elaborately choreographed party sequence, underscored with an excellent soundtrack by Albert Verrecchia, Hallucination Strip excels with it’s not-so-subtle mix of sex, drugs, religion, politics and corruption. Read More »

Lucio Fulci – Non si sevizia un paperino AKA Don’t Torture a Duckling (1972)

SYNOPSIS
An often overlooked but accomplished giallo (Italian detective story) from the macabre mind of Italian director Fulci. After several small boys are found murdered in a small town, a journalist goes in search of the killer. Even in a town steeped in ancient superstitions and suspicion, the twisted motives of the murderer are more shocking than anyone could have ever imagined. (Rotten Tomatoes)

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Lucio Fulci – Murderock – uccide a passo di danza AKA Murder Rock (1984)

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SYNOPSIS
The brutal worlds of murder and dance school competitions are thrown together in yet another lurid Lucio Fulci giallo. When an insane hatpin murderer terrorizes a prestigious New York dance school, mercilessly poking nubile young women deep into their competitive little hearts. Is it one of the students, jealous of competitive placement? Is it the voyeuristic headmaster, who watches the students through his many lurid security cameras? Perhaps it’s even a jealous boyfriend? (DVDActive) Read More »

Lucio Fulci – I Maniaci aka The Maniacs (1964)

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Plot Synopsis by Robert Firsching
A minor comedy from Italian filmmaker Lucio Fulci (Zombi 2; L’Aldila), this anthology is of interest primarily to cult devotees for marking the notorious director’s only collaboration with legendary “scream queen” Barbara Steele (La Maschera del Demonio). Lushly photographed and filled with popular comedians of the era (including Franco Franchi and Ciccio Ingrassia, who made several of their “Franco and Ciccio” comedies with Fulci), the film’s sketches spotlight various manias. As might be expected, nymphomania gets an extended treatment, with all the requisite mugging, leering, and smarmy asides common to Italian comedies of the period, as well as a lengthy parade of songs, many scored by Ennio Morricone, and some international burlesque performers. Enrico Maria Salerno and Walter Chiari lead a cast which includes Lisa Gastoni, Gaia Germani, Umberto d’Orsi, and Raimondo Vianello. Read More »

Lucio Fulci – All’onorevole piacciono le donne AKA The Eroticist (1972)

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Description: “Though today he is revered for his graphic horror films, writer-director Lucio Fulci got his start in comedy. With this in mind, The Eroticist makes perfect sense — it continues the delirious stylistic inventiveness of ‘Perversion Story’ and ‘A Lizard in a Woman’s Skin’, yet its bawdy humor fits in perfectly with his origins in the cinema. The nonsensical English title implies that the film is a cash-in on William Friedkin’s The Exorcist, yet the film — originally titled The Senator Likes Women! — dates from a year before the American blockbuster. Make no mistake about it: this is as far removed as imaginable for the horror genre, at least in terms of content, although the sharp satirical barbs at the Catholic Church and Italian politics fits in comfortably with many of his better known works. Read More »