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This Belgian surrealist work consists of two films, one commenting on the other, concerning a young man with a crucifixion complex. Imagining crosses everywhere, he even cuts his fried potatoes in the shape of a cross. Unable to buy a large cross, he settles for sixty francs worth of small ones, which he carries of in a paper bag. When the cross he finds to crucify himself on proves too small, a kindly priest volunteers to nail his feed to the floor. – J.H. Matthews, Surrealism and Film, 1971Read More »