Mario Soldati

Mario Soldati & Carlo Borghesio – Due milioni per un sorriso (1939)

PLOT:
Giacomo Perotti, who made his fortune in America, returns to Italy rich and wealthy. He wants, above all else, to find the woman who in his youth one day smiled at him, making him fall in love.
This nostalgic and utopian dream is the chance for a shady entrepreneur to persuade him to finance a film in memory of the episode of his distant youth.
Perotti accidentally meets a young professor who strangely resembles a lot to him when he was young and puts him in charge of the artistic direction of the film. During the casting for the leading actress, the young professor meets a typist, falls in love with her, and would like to make her the star of the film.
But the shady producer has in mind another actress… Read More »

Mario Soldati – Piccolo mondo antico aka Old-Fashioned World (1941)

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Plot:
Franco, a young man of noble descent, decides to marry Luisa, daughter of a humble clerk, against his grandmother’s will. But a terrible tragedy upsets the life of the newly married couple: their little daughter Ombretta drowns in Lake Como and Luisa goes to the brink of madness… Read More »

Mario Soldati – La provinciale aka The Wayward Wife (1953)

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Description: The Wayward Wife (Italian: La provinciale) is a 1953 Italian drama film taken from an Alberto Moravia’s novel and directed by Mario Soldati. It was entered into the 1953 Cannes Film Festival.

Gemma, daughter of a lodger, is in love with her half-brother, but since she cannot marry him she ends up marrying a teacher. She doesn’t love him and betrays him but is blackmailed by a Romanian countess who forces her to become a prostitute. She’s desperate but in the end she asks her husband for help. She has learned to love him in the meantime. Read More »

Mario Soldati – Malombra (1942)

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Like Piccolo mondo antico, Malombra is a film set in a grandiose, but a bit crowded aristocratic house, which is itself squashed between the beautiful, but deadly see, and the stolid, un-romantic mountains. A claustrophobic space with no escapes, a space of directionless hauntings and self-induced psychosis. Also, of course, a space of late, musty fascism. The reality of the second world war and the twilight of the Mussollini era is never directly alluded to, but it seems to penetrate all walls, clothes, the flesh itself. Read More »

Mario Soldati – Tragica notte aka Tragic night (1942)

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Released from jail, Nanni (Checchi) punches prison guard Stefano (Ninchi) who has
denounced him. In order to take revenge, Stefano suggests the suspicion that, during his
absence, his wife has had business with the Count Paolo (Rimoldi). A few days later, at
night, a deadly ambush will be prepared. Read More »