Not a good movie, though a prime example of audacious, rule-breaking cinema. It’s an early seventies French film shown almost entirely in negative exposure, which in itself makes it worth a watch.
LE GRAND DEPART (THE GRAND DEPARTURE; 1972) was the only feature directed by the famed French painter and sculptor Martial Raysse. In keeping with the revolutionary spirit of the time, LE GRAND DEPART has no plot to speak of and appears to have been largely made up on the spot. It shares a kinship with such films as BEGOTTEN (1990) and the X-rated short THE OPERATION (1995), both of which experimented with negative exposure (and far more effectively).
For decades LE GRAND DEPART was thought a “lost” film, but in late 2008 it made its DVD debut (in France), to alternately enchant and disappoint viewers anew.Read More »