Michael Powell

In ancient Bagdad, the young prince Ahmad (John Justin) is betrayed, deposed, and imprisoned by his vizier Jaffar (Conrad Veidt), an evil and calculating man who is also a master of the Black Arts. But Ahmad is saved from prison, and certain execution, by Abu (Sabu), a young thief who has made his way in life by stealing whatever he needs. Together they escape from Bagdad and make their way to the port city of Basra, where they hope to sign to sail with the renowned sailor Sinbad. But Ahmad chances to catch a glimpse of the daughter (June Duprez) of the Sultan (Miles Malleson, who also co-wrote the screenplay), and falls hopelessly in love with her. Read More »

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After miraculously surviving a jump from his burning plane, RAF pilot Peter Carter (David Niven) encounters the American radio operator (Kim Hunter) to whom he has just delivered his dying wishes, and, face-to-face on a tranquil English beach, the pair fall in love. When a messenger from the hereafter arrives to correct the bureaucratic error that spared his life, Peter must mount a fierce defense for his right to stay on earth—painted by production designer Alfred Junge and cinematographer Jack Cardiff as a rich Technicolor Eden—climbing a wide staircase to stand trial in a starkly beautiful, black-and-white modernist afterlife. Intended to smooth tensions between the wartime allies Britain and America, Michael Powell and Emeric Pressburger’s richly humanistic A Matter of Life and Death traverses time and space to make a case for the transcendent value of love.Read More »

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A young Englishwoman goes to the Hebrides to marry her older, wealthier fiancé. When the weather keeps them separated on different islands, she begins to have second thoughts.Read More »

Screen legend Jennifer Jones (Portrait of Jennie) stars as the young, beguiling Hazel Woodus in 1897 Shropshire, England. More than the people around her, she loves and understands the wild animals of the countryside, especially her pet fox. Whenever she has problems, she turns to the book of spells and charms left to her by her gypsy mother. When dashing local squire Jack Reddin (David Farrar, Hour of Glory) begins to pursue Hazel—despite her marriage to Baptist minister Edward Marston (Cyril Cusack, Fahrenheit 451)—a struggle for her body and soul ensues.Read More »

Vienna 1955 – a city under occupation by the four Allied powers. Through the chaos Dr. Falke moves gracefully – an elegant man-about-town and friend to the highest echelon of power. He is decidedly less graceful, however, when he is deposited by a friend at the top of a giant Soviet statue, rather the worse for drink and dressed up as a giant bat.
Falke swears revenge…Read More »

Director Michael Powell, actor John Laurie and assistant Sydney Streeter return to the isle of Foula, on which they made the film The Edge of the World over forty years earlier.

Michael Powell always considered The Edge of the World to be his first truly personal film, even to the extent of keeping the rights to it. However, after its initial trade screening in 1937, the film was cut by seven minutes for a general release length of 74 minutes. In 1940, when it was re-released, the film was cut by a further twelve minutes, and for decades this was the only version available.Read More »

synopsis

Three talented screenwriters collaborated in adapting Evadne Price and Joan Roy Byford’s play The Haunted Light to the screen as Phantom Light. This British chiller-diller-thriller begins with the mysterious murder of a lighthouse keeper. After his death, the region is plagued by shipwrecks, each heralded by a “phantom light” beaming from the lighthouse. Female detective Binnie Hale teams with new keeper Gordon Harker and navy officer Ian Hunter to solve the mystery. Directed with a sure and steady hand by Michael Powell, The Phantom Light is infinitely superior to the quota-quickie melodramas then flooding the British film market.- Hal Erickson
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synopsis

Three talented screenwriters collaborated in adapting Evadne Price and Joan Roy Byford’s play The Haunted Light to the screen as Phantom Light. This British chiller-diller-thriller begins with the mysterious murder of a lighthouse keeper. After his death, the region is plagued by shipwrecks, each heralded by a “phantom light” beaming from the lighthouse. Female detective Binnie Hale teams with new keeper Gordon Harker and navy officer Ian Hunter to solve the mystery. Directed with a sure and steady hand by Michael Powell, The Phantom Light is infinitely superior to the quota-quickie melodramas then flooding the British film market.- Hal EricksonRead More »

An elderly artist thinks he has become too stale and is past his prime. His friend (and agent) persuades him to go to an offshore island to try once more. On the island he re-discovers his muse in the form of a young girl.
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