Michelangelo Antonioni

  • Michelangelo Antonioni & Mauro Bolognini & Franco Indovina – I tre volti AKA The Three Faces (1965)

    Michelangelo Antonioni1961-1970ComedyFranco IndovinaItalyMauro Bolognini
     I tre volti (1965)
     I tre volti (1965)

    Synopsis
    Michelangelo Antonioni served as just one of three directors on this Dino de Laurentiis production that also corralled Franco Indovina (Antonioni’s assistant on three films) and Mauro Bolognini for three segments that all adhered to the titular theme, The Three Faces of a Woman: Il Provino, Latin Lover, and Famous Lovers. Il Provino (or Prefazione, The Preface), Antonioni’s contribution, stars a former member of Iranian royalty, Saroya; the entire film consists of her screen test. Indovina’s Latin Lover chronicles a professional woman’s experience with a male escort, hired by her business to keep her company on her travels to Rome. Finally, Bolognini’s Famous Lovers focuses on a woman whose marriage is threatened by an affair with a dashing young writer. ~ Michael Hastings, All Movie GuideRead More »

  • Michelangelo Antonioni – L’Avventura aka The Adventure (1960)

    1951-1960ArthouseDramaItalyMichelangelo Antonioni
    L'avventura (1960)
    L’avventura (1960)

    Quote:
    This ground-breaking film won a Special Jury Prize at the 1960 Cannes Film Festival and established its director, Michelangelo Antonioni, as a major international talent. The plot concerns a yachting trip by a small group of jaded socialites, including Sandro (Gabriele Ferzetti), an aging architect who sold out for easy money long ago, his mistress Anna (Lea Massari), and her friend Claudia (Monica Vitti), who doesn’t fit in with the wealthy jet-setters’ dissolute ethics. When Anna disappears during a tour of a volcanic island, Claudia initially blames Sandro’s emotionally barren behavior toward her. As they search the island, however, Claudia and Sandro grow closer and — when it is apparent that Anna is gone forever — become lovers. Unfortunately, Sandro cannot find anything decent inside himself and betrays Claudia with a local prostitute. Caught in the act, Sandro has a heartrending breakdown on a desolate beach, but Claudia silently forgives him. L’avventura caught many audiences who were expecting a mystery by surprise; as in La notte (1961), The Eclipse (1962), and Red Desert (1964), Antonioni is interested less in developing a logical story than in exploring states of feeling and breakdowns in human connection.Read More »

  • Michelangelo Antonioni – Chung Kuo: Cina AKA China (1972)

    Michelangelo Antonioni1971-1980ChinaDocumentaryPolitics
    Chung Kuo Cina (1972)
    Chung Kuo Cina (1972)

    Quote:
    A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, taken around Beijing, includes a cotton factory, older sections of the city, and a clinic where a Cesarean operation is performed, using acupuncture. The middle part visits the Red Flag canal and a collective farm in Henan, as well as the old city of Suzhou. The final part shows the port and industries of Shanghai, and ends with a stage presentation by Chinese acrobats.Read More »

  • Michelangelo Antonioni & Wim Wenders – Al di la delle nuvole AKA Beyond the Clouds (1995)

    Michelangelo Antonioni1991-2000ArthouseDramaFranceWim Wenders

    Synopsis:
    The many ways in which men are fascinated, compelled, and confused by their attraction to women are explored in this four part drama. As a filmmaker (John Malkovich) tries to sort out his plans for his next film, he considers several stories about women and the men who love them. Silvano (Kim Rossi Stuart) meets Carmen (Ines Sastre) and immediately asks her for a date, but despite his attraction, he can’t follow through on his feelings for her. The director spies a woman on the streets (Sophie Marceau) and follows her obsessively, but when he finally meets her, he’s disappointed, despite their mutual physical attraction. Read More »

  • Michelangelo Antonioni – La signora senza camelie AKA The Lady Without Camelias (1953)

    1951-1960ArthouseDramaItalyMichelangelo Antonioni

    The third feature film by cinema master Michelangelo Antonioni, La signora senza camelie [The Lady Without Camelias], expanded the expressive palette of contemporary Italian movies, demonstrating that a personal vision could take an explicitly poetic tack; that “seriousness = neo-realism” was perhaps already turning into something of a truism; and that Antonioni would answer to no-one but himself.Read More »

  • Michelangelo Antonioni – Zabriskie Point (1970)

    1961-1970ArthouseDramaMichelangelo AntonioniUSA

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    In late 1960s America, at Zabriskie Point, United State’s lowest point, two perfect strangers meet. Mark, a young undergraduate dreamer, during a massive students’ revolt, armed and on the run from the police, he steals a small aeroplane and flies to the safety of the Death Valley, across the vast Californian desert. There, the young hippie student, Daria, is driving across the empty stretch of highway in her Buick, and before long, the two rebellious youngsters will meet, starting off an unrestrained romance, making love at Zabriskie Point’s dusty terrain. Two perfect bodies in a flawed world.
    — Nick Riganas.Read More »

  • Michelangelo Antonioni – Cronaca di un amore AKA Story of a Love Affair (1950)

    1941-1950CrimeDramaItalyMichelangelo Antonioni

    Paola is a young, beautiful woman married to a wealthy entrepreneur. She meets her former lover Guido after seven years, but their relationship is marked by tragic events.Read More »

  • Michelangelo Antonioni – La notte (1961)

    1961-1970ArthouseDramaItalyMichelangelo Antonioni

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    One of the masterworks of 1960s cinema, La notte [The Night] marked yet another development in the continuous stylistic evolution of its director, Michelangelo Antonioni — even as it solidified his reputation as one of the greatest artists of the 20th century. La notte is Antonioni’s “Twilight of the Gods”, but composed in cinematic terms. Examined from a crane-shot, it’s a sprawling study of Italy’s upper middle-class; seen in close-up, it’s an x-ray of modern man’s psychic desolation. Two of the giants of film-acting come together as a married couple living in crisis: Marcello Mastroianni (La dolce vita, 8 1/2) and Jeanne Moreau (Jules et Jim, Bay of Angels). He is a renowned author and “public intellectual”; she is “the wife”. Over the course of one day and the night into which it inevitably bleeds, the pair will come to re-examine their emotional bonds, and grapple with the question of whether love and communication are even possible in a world built out of profligate idylls and sexual hysteria.Read More »

  • Michelangelo Antonioni – Le amiche AKA The Girlfriends (1955)

    1951-1960DramaItalyMichelangelo AntonioniRomance

    29f7c043f76a2bde437fd0d52a185152

    Quote:
    Michelangelo Antonioni’s Le Amiche opens with an aerial shot of Turin, Italy that, in the moment, could easily be mistaken as simply a cheery, picturesque backdrop for the credits sequence. Retroactively, though, the image proves deceptive and even misleading in its suggestion of peace and tranquility. Antonioni’s 1955 film interrogates the detrimental socio-economic dimensions of modernity in Turin by moving an assortment of characters through confrontations and conversations in drawing rooms and cafés, and outside on beaches and in alleyways, so that a character’s elation or devastation must be understood in relation to the place where it occurs. Le Amiche is filled with characters asking one another “why” something is happening, but for the director, “where” is always the most optimal question.Read More »

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