Nathaniel Dorsky

  • Nathaniel Dorsky – Compline (2009)

    Compline is a night devotion or prayer, the last of the canonical hours, the final act in a cycle. This film is also the last film I will be able to shoot in Kodachrome, a film stock I have shot since I was 10 years old. It is a loving duet with and a fond farewell to this noble emulsion.
    –Nathaniel DorskyRead More »

  • Nathaniel Dorsky – Song and Solitude (2006)

    SONG AND SOLITUDE was conceived and photographed with the loving help and kindness of Susan Vigil during the last year of her life. Its glance is more toward an expression of inner landscape, or what it feels like to be, rather than an exploration of the external visual world as such.Read More »

  • Nathaniel Dorsky – August and After (2012)

    A commemoration of two friends, George Kuchar and Carla Liss who died within a year of each other.
    (imdb)Read More »

  • Nathaniel Dorsky – Threnody (2004)

    Threnody is a somber but luminous progression through a delicate articulation of earthly phenomena… an offering to a friend who died. It is the second of two devotional songs, the first being The Visitation. These two films were preceeded by a series of Four Cinematic Songs: Triste, Variations, Arbor Vitae, and Love’s Refrain.Read More »

  • Nathaniel Dorsky – Nathaniel Dorsky: An Interview (2000)

    Nathaniel Dorsky’s films are precise articulations of cinematic qualities: the surprise of an edit, the composition of framing, and the flash of the image. Dubbed the “filmmaker’s filmmaker”, Dorsky’s work captures the fleeting moments of everyday life in its poetic chaos in such films as Pneuma (1976-82), Triste (1974-96), Alaya (1976-87), and Variations (1992-98). Using a spring-wound Bolex and 16mm reversal stock film, Dorsky’s films operate in the realm of the purely visual.Read More »

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