Nino Oxilia

  • Nino Oxilia – Papa (1915)

    1911-1920ItalyNino OxiliaShort FilmSilent

    Papà is a more comedic film where Giorgetta (Menichelli) is caught between a father and son, and more broadly, two ways of life: the Count di Larzac, Parisian man of leisure, and his rustic son Giovanni, who has been living in the same rural village as Giorgetta. This film is an adaptation of a 1911 three-act stage comedy by Robert de Flers and Gaston Arman de Caillavet, also called Papa.Read More »

  • Nino Oxilia – Rapsodia satanica aka Satan’s Rhapsody (1915)

    1911-1920ItalyNino OxiliaSilentThe Birth of Cinema

    Rapsodia Satanica (1915) was the last film directed by Nino Oxilia and is undoubtedly one of the finest achievements of the early Italian cinema. In it, Oxilia spins a variation on the Faust myth, embodied here by the diva Lyda Borelli. Typical of extravagant D’Annunzian aestheticism at its height, Rapsodia Satanica was one of the summits of what was later called the “tail coat film.” Diametrically opposed to the “cinema of reality” practiced by Serena, Martoglio and others, “tail coat films” set their melodramatic stories in the salons and villas of the upper middle class and the aristocracy, deploying narrative structures contrived to showcase their actors and especially its actresses. This had the effect of accentuating their physical presence and turning them into stars – probably the first stars in movie history. The success of the “dive” contributed to the development of motion picture grammar in its special use of the close-up.
    Written by Anthony KobalRead More »

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