Synopsis
The autobiography, both real and imaginary, of Marina Abramovic [1], Body Art artistic. The film composes the life aesthetic of a woman in her era, with a personal history strongly marked by the Yugoslavia of Tito, everyday violence, the experience of physical and psychic limits… The voluntary evocation of the past makes something more secret, more intimate crop up: an unknown evolution that is embodied in fictions felt like authentic fragments of truth. Balkan Baroque jumps from one identity to another, from a true story to an imagination, from a dream to a ritual… – the language of the body often taking over from the word, interrupting it or, on the contrary, stimulating it.Read More »
