Ralph Steiner

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“Steiner is interested in film’s capacity to invigorate everyday sight, to alert viewers to the simple, magical visual pleasures available in nearly any circumstance. The film is divided into sequences that focus on specific kinds of imagery in and around ocean surf.” – Scott MacDonald

Marc Blitzstein’s original chamber music score was prepared by the composer under commission by Alma Wertheimer for the 1931 Coplan/Sessions’ ‘Film and Music’ program at the Broardhurst Theatre, NYC.Read More »

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“This satire on religious pretension was collaboration between the Group Theater and the newly formed Nykino. Its creation of a self-reflexive illusion within an illusion distinguishes it not only from the commercial cinema but from various arenas of experimental and revolutionary film that had developed by 1934.” – Scott MacDonaldRead More »

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“The film presents a deceptively ‘open’ series of images of gears and pistons that transfer movement from vertical to rotary directions. Musical in its repetitive visual form, it now seems akin to Charles Sheeler’s paintings and photographs of railroad locomotive gears and wheels, a tribute to the machine age.” – Robert A. HallerRead More »

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“HANDS is an ingenious piece of propaganda that communicates not only through the thrust of its content, but through the very unconventionality of its “experimental” structure. The film suggests that the government that produced it is imaginative and inventive, open to new possibilities, and supportive of forms of free expression.” – Scott MacDonaldRead More »

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In 1929, Steiner made his first film, H2O, a poetic evocation of water that captured the abstract patterns generated by waves. Although it was not the only film of its kind at the time – Joris Ivens made REGEN that same year, and Henwar Rodekiewicz worked on his similar film PORTRAIT OF A YOUNG MAN (1931) through this whole period – it made a significant impression in its day and since has become recognized as a classic: H2O was added to the National Film Registry in December 2005. Among Steiner’s other early films, SURF AND SEAWEED (1931) expands on the concept of H2O as Steiner turns his camera to the shoreline; MECHANICAL PRINCIPLES (1930) was an abstraction based on gears and machinery.Read More »