For three years Rossellini and his son worked on a twelve-part series for Italian television about man’s search for food and the subsequent development of civilization.
sense of cinema wrote:
In 1963 Roberto Rossellini called a press conference and announced: “Il cinema è morto.” “Cinema is dead.”
Rossellini had lost confidence. For four years he refused to direct. He was through with art. Civilisation was collapsing from infantilism; film’s urgent task was to show the masses the map of human achievement. He marketed himself as a purveyor of educational materials. Cynics laughed as Rossellini begged funds from a steel company, Italsider, so that his son Renzo could direct the 4.5-hour The Iron Age (1964), and then convinced Jean Riboud and John de Menil to come up with $500,000 from Schlumberger, IBM, Gulf, and UpJohn so that Renzo could direct the 12-hour Italian-French-Egyptian-Roumanian Man’s Struggle for Survival celebrating the conquest of nature. Read More »