Robert Knights

First filmed theatrically in 1962, F. Scott Fitzgerald’s final novel, TENDER IS THE NIGHT, was given a lavish (seven million dollars) treatment in this British-Australian-American miniseries version. Set in Europe’s waning days of the Roaring Twenties, the plot focused upon the tempestuous marriage between jaded psychiatrist Dick Diver (Peter Strauss) and the beautiful, schizophrenic socialite Nicole Warren (Mary Steenburgen). An international cast did an excellent job impersonating the “Lost Generation” for which Fitzgerald was the principal spokesman (the author was himself all but burned out by the time the original novel was published, and his desperation oozes through every page).Read More »

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A thoroughly superb four-part comedy-drama series, The History Man is considered a pivotal literary and television work and one of the most fondly-remembered of all Malcolm Bradbury’s output.

Bradbury had always prided himself on stories concerning, criticising and critiquing academic culture and the proliferation of “new” university campuses which were dotted across the United Kingdom at the time. The History Man featured one such “new” educational establishment, the University of Watermouth, as the platform for the tale of Barbara and Howard Kirk (Geraldine James and Anthony Sher), an exploration of their very modern marriage and considerably radical political views.Read More »

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An account of the colourful life of the infamous British fascist Oswald Mosley, concentrating on the period between the end of WW1 and his imprisonment at the beginning of WW2.
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