Sacha Guitry

  • Sacha Guitry – Donne-moi tes yeux AKA My Last Mistress (1943)

    François (Guitry) is a young sculptor who falls madly in love with his model Catherine (portrayed by Guitry’s real-life wive Genevieve). When his eyesight fails him, Bressoles begins to feel unworthy of Catherine…Read More »

  • Sacha Guitry – Le comédien AKA The Private Life of an Actor (1948)

    The Private Life of an Actor was the English-language title bestowed upon Sacha Guitry’s first postwar feature, Le Comédien. The film recounts the life and loves of Guitry’s actor/father Lucien, with Guitry playing both himself and his dad. Most of the story takes place either on-stage or in the dressing room, satirically emphasizing the wide schism between an actor’s public and private life. Adding to the Pirandellian ambience of the project is Guitry’s wife, Catherine (Lana Marconi), cast as one of Lucien’s various mistresses.Read More »

  • Sacha Guitry & Frederic Rossif – Ceux de chez nous (1952)

    “I dreamed of a new encyclopedia … “. Sacha Guitry attended, “according to his tastes” the greatest personalities of his time. He filmed “in their attitudes the most familiar, whenever that was possible.” We see André Antoine, Sarah Bernhardt, Edgar Degas, Anatole France, Lucien Guitry, Octave Mirbeau, Claude Monet, Auguste Renoir at his side with his young son Claude Renoir, Henri-Robert, Auguste Rodin, Edmond Rostand, Camille Saint-Saëns . The silent version of 1915 lasted 22 minutes. This finall version redesigned in 1952, lasts 44 minutes, with plans Guitry in his office, and that this comment, shot by Frederic Rossif.Read More »

  • Sacha Guitry – Le nouveau testament AKA Indiscretions (1936)

    Based on Guitry’s own stage play about a sanctimonious fellow who eventually’s victimized by his own hypocrisy. Little effort’s made to “cinematize” the property, which’s filmed just as it was staged.Read More »

  • Sacha Guitry – Mon père avait raison (1936)

    After being left for another man by his wife, Charles Bellanger raises his only son to fear and suspect women. Years later, such an education is bearing fruit.Read More »

  • Sacha Guitry – De Jeanne d’Arc à Philippe Pétain AKA From Joan of Arc to Philippe Petain AKA 1429-1942 (1944)

    This film was shown in the movie theaters two months before the landing and afterward completely disappeared only to reappear in 1993. This is of course a propaganda movie .But not more than Stelli’s “Le Voile BLeu” .

    Beginning his movie with an evocation of Joan of Arc was not completely incongruous ; Guitry probably thought it was a sign from God ;1429: Joan’s odyssey begins ;birth of the Homeland ,1942: under the yoke of the Nazis ,but still proud of its past ,the country remembers .1429,1942 sinister anagram.Joan found since taken over by the far right wing .Read More »

  • Sacha Guitry – Ils étaient neuf célibataires AKA Nine Bachelors (1939)

    Filmmaker Sacha Guitry’s only cinematic contribution for 1939 was Ils Etaient Neuf Celibataires, released stateside as There Were Nine Bachelors. Set sometime in the past, the story gets under way when a new law calls for the expulsion of certain foreigners from Paris. Among those slated for deportation is Polish stage star Elvire Popesco. Guitry plays an opportunist who offers to help Popesco remain in France in exchange for her help in a highly suspicious “lonely hearts” scam. Our so-called hero intends to marry off nine elderly bachelors with an equal number of female foreign aliens, so that the latter will be able to declare themselves as French citizens. Naturally, most of the financial proceeds of this venture are to remain in Guitry’s possession — not to mention any female “fringe benefits” picked up along the way.Read More »

  • Sacha Guitry – Assassins et voleurs AKA Murderers and Thieves (1956)

    Surprised by a burglar (Michel Serrault), the doleful Philippe (Jean Poiret) regains his composure, then asks the thief for his assistance. It seems that Philippe wants to commit suicide but hasn’t the nerve to pull off the deed himself. In flashback, Philippe recounts the events that led up to this critical and anxious moment. As it turns out, our “hero” is a bigger criminal, both actual and moral, than the nonplused burglar could ever be.Read More »

  • Sacha Guitry – Le mot de Cambronne AKA The Word of Cambronne (1937)

    Ms. Cambronne, of British origin, to whom much has been said the “word” of her husband, the press questions in order to know the meaning. But the general refused any explanation and continues to be silent. Finally, Adele, a pretty maid, will build Ms. Cambronne uttering the famous words in a moment of awkwardness.Read More »

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