Sang-soo Hong

Sang-soo Hong – Yeojaneun namjaui miraeda AKA Woman is the Future of Man (2004)

Quote:
Woman is the Future of Man may not mark any major departures of style for celebrated auteur Hong Sang-soo, but the filmmaker is still in top form in this tightly-constructed, mesmerizing work. Although it features much of the awkward dialogue and cutting irony that has made Hong’s previous films so distinctive, Woman feels in some ways both more shallow and more elusive than the works that preceded it. As such, it is a difficult film to make sense of, unless you have had previous exposure to the negative energy that fills Hong’s cinematic world. Read More »

Sang-soo Hong – Gangbyeon hotel AKA Hotel by the River (2018) (HD)

Two tales intersect at a riverside hotel: an elderly poet (Ki Joo-bong), invited to stay there for free by the owner, summons his two estranged sons, sensing his life drawing to a close; and a young woman (Kim Min-hee) nursing a recently broken heart is visited by a friend who tries to console her. At times these threads overlap, at others they run tantalizingly close to each other. Using a stark black-and-white palette and handheld cinematography (with frequent DP Kim Hyung-ku), Hong crafts an affecting examination of family, mortality, and the ways in which we attempt to heal wounds old and fresh. Read More »

Sang-soo Hong – Saenghwalui balgyeon aka Turning Gate (2002)

Synopsis :
Kyung-Soo (Kim Sang-Kyung, Lawyers) is an actor, but his last movie was a failure and he has just missed out on a new role. Disappointed and disgusted, he takes a trip to visit a friend and meets two very different women, Myung-Suk (Ye Ji-Won) and Sun-Young. Read More »

Sang-soo Hong – Gangbyeon hotel AKA Hotel by the River (2018)

Synopsis
It is the dead of winter and a poet invites his sons to join him at a hotel for a reunion. The hotel also hosts a newly single woman who has a friend keep her company and with whom she shares a room, strolls and conversations. The poet is drawn to the beautiful girls and cannot resist the temptation to discover more. Their lives intersect, connect and disconnect and potentially become a metaphor for modern life. Read More »

Sang-soo Hong – Grass (2018)

In a small Café, Min-hee Kim plays a guest who prefers to observe but not interact with the other guests herself. Read More »

Sang-soo Hong – La caméra de Claire AKA Claire’s Camera (2017)

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On a business trip to the Cannes Film Festival, Manhee is accused of being dishonest, and fired. A teacher named Claire goes around taking photos with a Polaroid camera. She gets to know Manhee and sympathizes with her. Claire is like a person who can see Manhee’s possible future or past selves, through the mysterious power of the beach tunnel. Through taking photos, Claire has acquired the ability to look slowly at things, and to transform objects. Now, Claire goes with Manhee to the café where she was fired. We look forward to seeing Claire’s power at work. Read More »

Sang-soo Hong – Geu-hu AKA The Day After (2017)

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Quote:
The married Bongwan leaves home in the dark morning and sets off to work. The memories of the woman who left weigh down on him. That day Bongwan’s wife finds a love note, bursts into the office, and mistakes Areum for the woman who left. Read More »