Serge Bozon

Serge Bozon – Mods (2002)

Two brothers, both military, come to a kind of campus, where their third brother is kind of ill : he keeps in his room, not speaking anymore.
Why ? What can one do for him ?

One can think of Bresson with humor, or a poetic musical. The less you know about the movie before watching it, the better it is. It is too simple and too fragile to resist too much description. Read More »

Serge Bozon – La France (2007)



Quote:
Vive La France by Serge Bozon, a heady experiment full of soul that more than delivers on the allegorical chutzpah of its title. On receiving a troubling letter from her husband, a soldier in the First World War, Camille (Sylvie Testud) sets off to find him incognito, chopping her coif and wrapping her boobs to pass as a lad of 17. Deep in a forest landscape rendered with limpid concentration by cinematographer Céline Bozon, she falls in with a clutch of soldiers mobilized to the front. Or so it seems: Strange things are afoot in La France—like the spontaneous performance of twee, jangling ballads, rendered on scrap-yard acoustic instruments and sung, from an unabashed female perspective, by the harmonizing grunts. Weirder than the arrival of these inexplicable neo-retro-folk jams is how seamlessly they fit into Bozon’s melancholic war fable. Which is to say La France invents a curious and confident hybrid mode to accommodate, even reconcile, disparate modes and strategies: war film and musical, elegiac and avant-garde, cerebral and poignant, rigorous and flexible. Read More »