Sergei M. Eisenstein

Sergei M. Eisenstein – Ivan Groznyy I (Иван Грозный) AKA Ivan the Terrible Part 1 (1944)

http://ec1.images-amazon.com/images/I/612H33WYP2L._.jpg

29f7c043f76a2bde437fd0d52a185152

From Turner Classic Movies:
On the day of his coronation as the first Tsar of Russia, the former archduke of Moscow, Ivan IV (Nikolai Cherkasov), finds himself inheriting a deeply troubled empire. The Russian people are divided into estranged clans including the Tartars and the aristocratic boyars, led by the evil, black-cloaked princess and Ivan’s aunt Euphrosinia Staritskaya (Serafima Birman). Read More »

Grigoriy Aleksandrov & Sergei M. Eisenstein – Staroye i novoye aka The Old and the New aka The General Line (1929)

29f7c043f76a2bde437fd0d52a185152

The horseless Marfa Lapkina, together with the local agronomist and other poor peasants, organizes a dairy farm in the village. However, local kulaks are actively resisting the project and any success it could provide. Old poor people also resists, not understanding the meaning of camaraderie and what their unification could bring to them… Read More »

Sergei M. Eisenstein – Bronenosets Potyomkin aka The battleship Potemkin (1925)

29f7c043f76a2bde437fd0d52a185152

Marie Seton wrote:
When he made Potemkin in 1925, Sergei Eisenstein was not only a man with his total personality dedicated to creative work — albeit a creative work aimed at destroying all orthodox concepts of ‘art’ — but he was also a revolutionary fighter, a propagandist for the Russian Revolution. Thus, his work had a utilitarian purpose as well as an artistic one. He was educator and artist. At its most obvious level, Potemkin was regarded as propaganda for the Revolution; at a deeper level it was a highly complex work of art which Eisenstein thought would affect every man who beheld it, from the humblest to the most learned. Read More »

Sergei M. Eisenstein – Sergei M. Eisenstein : Notes for a General History of Cinema (2016)

Sergei M. Eisenstein : notes for general history of cinema

Author: Sergei Eisenstein; N I Kleĭman; Antonio Somaini; Margo Shohl Rosen; Brinton Tench Coxe; All authors
Publisher: Amsterdam : Amsterdam University Press, 2016.
Series: Film theory in media history.
Edition/Format:   Print book : English

Genre/Form: History
Named Person: Sergei Eisenstein; Sergei Eisenstein
Document Type: Book
All Authors / Contributors: Sergei Eisenstein; N I Kleĭman; Antonio Somaini; Margo Shohl Rosen; Brinton Tench Coxe; Natalie Ryabchikova Read More »

Sergei M. Eisenstein – Drawings (1961)

Рисунки. Dessins. Drawings.
by Sergei M. Eisenstein

Hardcover: 228 pages
Publisher: Publishing House “Iskustvo” (Art) (May 30, 1961)
Language: Russian, English, French
Product Dimensions: 62 x 94.8

Sergei Mikhailovich Eisenstein was a Soviet Russian film director and film theorist, a pioneer in the theory and practice of montage. He is noted in particular for his silent films Strike (1925), Battleship Potemkin (1925) and October (1928), as well as the historical epics Alexander Nevsky (1938) and Ivan the Terrible (1944, 1958).

Eisenstein’s book presents his drawings and sketches for his films of different years as well as trilingual texts: essays by Y. Pimenov (“The Drawings of Eisenstein”), Olga Aisenstat (“Eisenstein the Graphic Artist”), Gennady Myasnikov (“Director’s View of the Film”) and Eisenstein himself (“How I Learned to Draw” and “A Few Words about My Drawings”). Read More »

Sergei M. Eisenstein – Stachka AKA Strike (1925)

29f7c043f76a2bde437fd0d52a185152

Russia, 1912. Sick of the conditions under which they have to toil for a meagre salary, the workers at a factory are on the brink of rebellion. The flashpoint comes when one of their number hangs himself after having been unjustly accused of stealing a tool by his foreman. The workers walk out on mass, refusing to return until their managers have agreed to their terms. The factory owners, fat industrialists with a taste for luxury, are infuriated by this illegal revolt and resolve to bring the workers to heel – by any means possible… Read More »

Sergei M. Eisenstein – Aleksandr Nevskiy [+Extras] (1938)

http://ec2.images-amazon.com/images/P/B00004SPFT.02._SCLZZZZZZZ_V1072780630_.jpg

29f7c043f76a2bde437fd0d52a185152

From Criterion Collection:

Eisenstein drew on history, Russian folk narratives, and the techniques of Walt Disney to create this broadly painted epic of Russian resilience. This story of Teutonic knights vanquished by Prince Alexander Nevsky’s tactical brilliance resonated deeply with a Soviet Union concerned with the rise of Nazi Germany. Widely imitated—most notably by Laurence Olivier’s Battle of Agincourt re-creation for Henry V —the Battle on the Ice scene remains one of the most famous audio-visual experiments in film history, perfectly blending action with the rousing score of Sergei Prokofiev. Read More »