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Deep into a vast cavern of the pitch-black inferno, a couple of professional dancers demonstrate the cakewalk that is currently so much in vogue, and now, everyone in the once-gloomy underworld is doing the crazy dance. Who is the best?Read More »
It tells about young painter Tchartkoff who bought a weird portrait represented an old man. The portrait appeared to be unfinished, but the power of the handling was striking. The eyes were the most remarkable picture of all: it seemed as though the full power of the artist’s brush had been lavished upon them. At home Tchartkoff moistened a sponge with water, passed it over the picture several times, washed off nearly all the accumulated and incrusted dust and dirt, hung it on the wall before him, wondering yet more at the remarkable workmanship. The whole face had gained new life, and the eyes gazed at him so that he shuddered; and, springing back, he exclaimed in a voice of surprise: “It looks with human eyes!” This was no copy from Nature; it was life, the strange life which might have lighted up the face of a dead man, risen from the grave… And there was only the beginning of horror that was coming to young painter.Read More »
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Gulliver washes ashore on Lilliput, the inhabitants of which are no more than six inches tall. He later travels to Brobdingnag, a country populated by giants.Read More »
Quote: In what is considered the first remake in cinema history, prolific French director Georges Méliès directs his first film, depicting a delightful afternoon among friends playing cards over a glass of beer.
It was the first film in Méliès’ prolific career, and thus is number one in his Star Film catalogue. It is a remake of Louis Lumière’s film The Messers. Lumière at Cards, which was released earlier the same year. Along with Georges Méliès himself, his brother Gaston Méliès and daughter Georgette Méliès also appear in the film.
The film, long presumed lost and was rediscovered after 1981Read More »
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A devil conjures up a dancing woman from a mystical flame.
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The Pillar of Fire was the first film to be based on H. Rider Haggard’s 1887 novel She: A History of Adventure. Rather than attempting to tell the whole story of the novel, Méliès used one of its characters as inspiration for a trick film, recalling the scene in the novel in which Ayesha stands amid flames. At least six other adaptations of She were made in the silent era.Read More »
Quote: “The filmmaker took several different scenes shot earlier between 1896 and 1899 and double-printed two sets of images together to create a new artistic creation. The transformation of a stage dance into a unique ciné-dance could only be possible in cinema – Bruce PosnerRead More »
Quote: “The filmmaker took several different scenes shot earlier between 1896 and 1899 and double-printed two sets of images together to create a new artistic creation. The transformation of a stage dance into a unique ciné-dance could only be possible in cinema – Bruce PosnerRead More »