Thomas Lemercier on Cineuropa wrote:
Pierre is a Parisian in his fourties whose life consists of his morning coffee in a run-down apartment, his phones, his keys, his computer on the train, page 9 of the fourth version of a file, then a demonstration of robotics to some clients, in English. But through the window, are emerging the outlines of a new journey, of a recovery (he does not yet know how radical it will be), of his existence. These outlines are the snow-capped peaks and the glacier where Thomas Salvador sets the scene (and a tent) for his second feature film, The Mountain [+], revealed in the Directors’ Fortnight at the 75th Cannes Film Festival. Read More »