Travis Wilkerson

Travis Wilkerson – Machine Gun or Typewriter? (2015) (HD)

“Machine Gun or Typewriter? is at once a landscape essay film, a fractious collage piece and an abstract confessional, restlessly serving the film noir narrative trope of a missing woman. Wilkerson plays the radio man, seen only behind a pop screen and a Sennheiser mic, who tells stories about falling in and out of love with his partner, another would-be political reactionary. Each anecdote is tethered to a place, both physically — mapped out with pins and string on the man’s wall — and figuratively: the man’s fury at the injustices perpetrated at these landmarks wrests attention away from the woman who has gone missing. There’s a perverse solace he finds in re-visiting narratives of systemic racism, class divide and police brutality.” Conor Bateman, 4:3 Read More »

Travis Wilkerson – Machine Gun or Typewriter? (2015)


Once again, Travis Wilkerson (take a look at the credits) has worked (almost) by himself on his last film. Using the quest for a lost love as an excuse, this extremely generous film casts a wide net over History, from Maïakovsky to a certain L. Schapiro, from Bonnie & Clyde to Ulrike Meinhof, from the 1871 Paris Commune to the here and now. Despite its stunning economy of means, this playful and ironical film with a beautiful soundtrack always remains elegant. FIDMarseille catalogue. Read More »

Travis Wilkerson – An Injury to One (2002)


AN INJURY TO ONE provides a corrective—and absolutely compelling—glimpse of a particularly volatile moment in early 20th century American labor history: the rise and fall of Butte, Montana. Specifically, it chronicles the mysterious death of Wobbly organizer Frank Little, a story whose grisly details have taken on a legendary status in the state. Much of the extant evidence is inscribed upon the landscape of Butte and its surroundings. Thus, a connection is drawn between the unsolved murder of Little, and the attempted murder of the town itself. Read More »