Following Punch and Judy from their malevolent medieval personas through their much-mollified assimilation into English folklore, this film finally restores the odd couple to their rightful roles as hair-raising anarchists. It is a stunning mixture of mime, mask, painting, crudely animated documents and mischievously reanimated newsreels, as well as the demonic atonalities of a modernist opera by Harrison Britwistle brought to “life” in a puppet fantasy/nightmare. Read More »
Innovative direction by Les Blair when constructing this too little known work, a collaboration with skilled players, includes the provision to the cast of only a mere outline, in lieu of a script, that ultimately expands into a 25 page scenario sans written dialogue. He motivates his actors to give dimension for the mere flinders furnished them, through pure improvisation that is grounded upon their own frames of reference. The outcome proves to be a nice job all around that ruffles some of the standards that have been adopted by cinema enthusiasts. Read More »
Pilger tells a story literally ‘hidden from history’.
In the 1960s and 70s, British governments, conspiring with American officials, tricked into leaving, then expelled the entire population of the Chagos islands in the Indian Ocean.
The aim was to give the principal island of this Crown Colony, Diego Garcia, to the Americans who wanted it as a major military base. Indeed, from Diego Garcia US planes have since bombed Afghanistan and Iraq.
The story is told by islanders who were dumped in the slums of Mauritius and in the words of the British officials who left a ‘paper trail’ of what the International Criminal Court now describes as ‘a crime against humanity’ . Read More »
Grant and Christine are still struggling with a storm of grief following the death of their baby. They visit an old friend, Dean, with his new girlfriend, Freya, in an isolated house by the sea. Dean tries but fails to control his drinking. Freya worries about the age difference between her and Dean. Christine confesses her secrets to Dean, upsetting his comfortable world of escapist fantasy and children’s books. Over a long weekend, old loves, losses and resentments are revisited and the life of the dead child is lived out in a series of strange dreams. Read More »
Scouring 100 years of archive footage, BAFTA-winner Paul Wright constructs an exhilarating study of the British people’s shifting — and contradictory — relationship to the land. The film goes on a sensory, visceral journey through the contrasting seasons, taking in folk carnivals and fetes, masked parades, water divining and harvesting. Set to a grand, expressive new score from Adrian Utley (Portishead) and Will Gregory (Goldfrapp) alongside folk music from the likes of Anne Briggs, Wright’s captivating film essay captures the beauty and brutality, and the magic and madness of rural Britain. Read More »
Paul Elliot & Sean Lamberth wrote:
Library Music was composed and recorded specifically as an ‘off the shelf’ option for use in film, broadcasts and advertising. It was cheaper than commissioning a composer to score a soundtrack, and the music was written to cover every genre, every instrument and every atmosphere.
The Golden Era of Library Music is generally deemed to have been from the late sixties to the mid-eighties with thousands of albums produced during this time. It was a time when the world’s greatest composers had access to full orchestras in the best recording studios with the very best engineers and recording equipment. Read More »
Exploring the life and impact of the greatest spiritual and legal philosopher in Islamic history, this film examines Ghazali’s existential crisis of faith that arose from his rejection of religious dogmatism, and reveals profound parallels with our own times. Ghazali became known as the Proof of Islam and his path of love and spiritual excellence overcame the pitfalls of the organised religion of his day. His path was largely abandoned by early 20th century Muslim reformers for the more strident and less tolerant school of Ibn Taymiyya. Combining drama with documentary, this film argues that Ghazali’s Islam is the antidote for today’s terror. Written by Abdul Latif Salazar Read More »