Valeria Sarmiento

  • Valeria Sarmiento – El hombre cuando es hombre AKA A Man, When He Is a Man (1982)

    Set in Costa Rica and touched with dark humor, this stylistically imaginative documentary illuminates the social climate and cultural traditions which nurture machismo and allow the domination of women to flourish in Latin America.

    ‘An amazing work that successfully reveals the genuinely funny elements of male posturing and its potentially serious consequences. It will be appreciated by general audiences as well as teachers interested in stimulating discussion on sex roles.’ -Malcolm Arth, Margaret Mead Film FestivalRead More »

  • Valeria Sarmiento – La dueña de casa aka La femme au foyer (1975)

    The life of a right-wing housewife in Chile during the prior days to Salvador Allende’s military overthrow.Read More »

  • Valeria Sarmiento – Elle (1995)

    Elle is an alienating mixture of South American surrealism and the classic Hollywood melodrama of e.g. Douglas Sirk (of whom Sarmiento is a great fan). The husband is in love, the wife is not averse to being loved and yet they are not happy. At least, not in the usual sense of the word. The man is after all rather too much in love to be not a little paranoid and the wife, slightly Hitchcock and fairly nervous, is too carried away by his love to be not a little shocked. He regards her as a match for the Venus of Milo, cherishes her as a work of art and tries to perfect her, with all the obsessiveness that entails. Read More »

  • Raoul Ruiz & Valeria Sarmiento – El Tango del Viudo y Su Espejo Deformante AKA The Tango of the Widower and Its Distorting Mirror (2020)

    The story of a man whose wife has committed suicide and appears to him as a ghost, following him everywhere and changing his personality. Unfinished in 1967 and restored for a 2020 premiere.Read More »

  • Raoul Ruiz & Valeria Sarmiento – La Telenovela Errante (2017)

    “The film revolves around the concept of soap opera. Its structure is based on the assumption that Chilean reality does not exist, but rather is an ensemble of soap operas. There are four audiovisual provinces, and the threat of war is felt among the factions. The political and economic problems are immersed in a fictional jelly divided into evening episodes. The entire Chilean reality is viewed from the point of view of the soap opera, which acts as a revealing filter of this same reality”. (Raúl Ruiz)Read More »

  • Valeria Sarmiento – Linhas de Wellington AKA Wellington Lines [Theatrical Cut] (2012)

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    On September 27, 1810, the French troops commanded by Marshal Massena, were defeated in the Serra do Buçaco by the Anglo-Portuguese army of general Wellington.

    Despite the victory, Portuguese and British are forced to retreat from the enemy, numerically superior, in order to attract them to Torres Vedras, where Wellington had built fortified lines hardly surmountable.

    Simultaneously, the Anglo-Portuguese command organizes the evacuation of the entire territory between the battlefield and the lines of Torres Vedras, a gigantic burned land operation, which prevents the French from collecting supplies.

    This is the setting for the adventures of a multitude of characters from all social backgrounds – soldiers and civilians, men, women and children, young and old – to the daily routine torn by war and dragged through hills and valleys, between ruined villages, charred forests and devastated crops.Read More »

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