Idealistic young man supports the party and the new Yugoslavia’s communist regime, but soon gets involved in various political and criminal machinations becoming more and more confused about what’s right and what’s wrong. Read More »
Janko Bugarski “Džimi Barka” is a small time wallet snatcher, and an aspiring singer, who wants to make it big with as little effort as he can, traveling through industrial areas and looking for affairs with local women and easy money. On one of his travels he meets a young girl he takes to Belgrade to accompany him on an amateur singing contest, where he fails miserably, since he can’t follow a tune, and abandoning her, teams up with his former girlfriend, also a pickpocket, which takes him to his final journey. Read More »
The first film of the Yugoslav Black Wave.
Grad is a psychological drama about the thin line that separates depression and melancholy. It gives us the opportunity to understand that the alienation of the modern socialist man is not just a social problem, but also a poetic aestheticization of urban thinking and behaviour. For Pavlovic, Bapca, and especially Rakonjca, self-destruction is not a defence mechanism, but a lifestyle.
Exploring new areas of old sites, Grad is, in a figurative sense, the first Yugoslavian film that deals with the suburb as a metaphor of alternative culture. Through their analysis of public consciousness, the three directors project their secret Bauhaus, seeking its shadow in the hidden areas of obsolete thought, in the everyday of Socialism. Read More »