Calcutta 1879. Bhupati Dutta (Sailen Mukherjee), a wealthy intellectual edits and publishes a political weekly in English called ‘The Sentinel.’ His sensitive and beautiful, young wife Charu (Madhabi Mukherjee) spends her time doing needlework and reading Bengali novels. Sensing her loneliness, Bhupati invites her older brother Umapada and his wife Mandakini to live with them. Umapada becomes the manager of the magazine but Mandakini, a rustic and unlettered woman is no companion for Charu. Bhupati’s cousin Amal (Soumitra Chaterjee) arrives to spend his vacation with Bhupati. At Bhupati’s suggestion, the literary minded Amal helps and encourages Charu with her writing. The two get more and more drawn to each other. Bhupati, busy with the magazine as usual, is unaware of this development… Read More »
Let’s start with my conclusion. This is a wonderful movie. It’s horror, drama and psychological thriller, all brilliantly compiled into a two hours movie. Superb cinematography, intricate plotting, marvelous acting… A Tale Of Two Sisters is extraordinary in every aspect.
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The Maoist Chinese, by some miracle, have occupied Paris (and France) overnight. The patience of these stern, work-oriented and quite puritanical communists is finally completely worn down by the quarrelsome, cynical and decadent French, who cannot cooperate properly even when they are willing… Read More »
Let Each One Go Where He May
Chicago-based filmmaker Ben Russell has gone international with Trypps – a series of short, mesmerizing films loosely interpreting the notion of “trip,” from literal, geographic journeys to ecstatic music-induced highs, variations of trance and spasmodic filmic episodes. Along with Tjüba Tën/The Wet Season (co-directed by Brigid McCaffrey), his medium-length experimental documentary shot in Suriname, and his live projector performances, Russell’s body of work displays an ever-increasing interest in cinematic anthropologies.
Let Each One Go Where He May is Russell’s stunning feature debut, a film that both partakes in and dismantles traditional ethnography, opts for mystery and natural beauty over annotation and artifice, and employs unconventional storytelling as a means toward historical remembrance. A rigorous, exquisite work with a structure at once defined and winding, the film traces the extensive journey of two unidentified brothers who venture from the outskirts of Paramaribo, Suriname, on land and through rapids, past a Maroon village on the Upper Suriname River, in a rehearsal of the voyage undertaken by their ancestors, who escaped from slavery at the hands of the Dutch 300 years earlier. The path is still travelled to this day and its changing topography bespeaks a diverse history of forced migration. Read More »
After the death of her parents young girl Manuela von Meinhardis is sent to a boarding school where Prussian drill rules the education. Desperately seeking love and warmth in Manuela’s heart special emotions for the only human lady teacher, Fraeulein von Bernburg, start growing. Manuela falls in love with her. It’s just a matter of time until that forbidden love becomes known what immediatly leads to desaster. Though Elisabeth von Bernburg has never returned the love she is forced to leave the school; Manuela gets a severe punishment, like someone who has committed a crime. Read More »
Following his father’s death, Nikos leaves the provinces to work in Athens guarding his brutish uncle’s dogs. Nikos finds the dynamic of his relationship with his uncle changing when his uncle’s wife draws closer to him. This relentlessly gritty film noir won seven Hellenic Film Academy Awards this year, including Best Picture. Read More »
Sam Peckinpah directs, produces and co-writes this episode of The Dick Powell Show. Read More »