Clifford Odets – The Story on Page One (1959)

Synopsis:When Jo Morris’ marriage turned sour and heartless, she found sympathy and companionship with widower Larry Ellis. After Jo’s husband is accidentally killed in a struggle over a gun with Larry, the adulterous couple find themselves on trial for their lives, with their lawyers fighting the pair’s reluctance to turn against each other. Read More »

Albert Serra & Lisandro Alonso – Correspondencia: Albert Serra & Lisandro Alonso (2011)

the original dvdr announce wrote:
This filmic exchange is based on two works that reflect on the way each director films, on the crew and the actors, on the way they see and make cinema. Albert Serra took the characters of Honor de Cavalleria and his regular team of collaborators to follow in the steps of Quixote. Lisandro Alonso returned to La Pampa province to film his work, for which he recalls Misael Saavedra, the lead of his first film, La Libertad. Read More »

Nuri Bilge Ceylan – Bir Zamanlar Anadolu’da AKA Once Upon a Time in Anatolia (2011)

A group of men set out in search of a dead body in the Anatolian steppes. (IMDb) Read More »

Colin K. Gray – Freedom’s Fury (2006)

Freedom’s Fury is a documentary about the Hungarian water polo team of the 1956 Melbourne Olympics and the the effects of the 1956 Hungarian Revolution on the lives of the team members, with their infamous match with the Soviet team in the main focus.
The film is made up of a series of archive and recreated footage and short snippets of interviews with people directly or indirectly involved with the revolution or water polo. The material discussed is perhaps a little too extensive to fit into a ninety-minute-long documentary, but the interviews with the surviving members of both Hungarian and Soviet teams make Freedom’s Fury a memorable viewing experience. Read More »

Isabelle Stever – Glückliche Fügung (2010)


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37-year-old Simone decides to go out alone on New Year’s Eve. The next morning, she wakes up next to a stranger in his car, and a few weeks later she discovers that she’s pregnant. By coincidence, she runs into the stranger again – the handsome Hannes – and is surprised to find that contrary to her expectations, he’s actually happy about the pregnancy and wants to live with her. Could this be the face of happiness? While Hannes works in a hospital as a nurse in palliative care, tending to the dying with extraordinary tenderness, Simone renovates their shared, little home. An attractive neighbor fuels Simone’s jealousy. The larger Simone’s belly grows, the more extensively Hannes’ integrity warms the nest, the more oppressive their little, homemade prison appears. Read More »

Vincent Sherman – The Damned Don’t Cry [+Extras] (1950)


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The Damned Don’t Cry – It’s a man’s world. And Ethel Whitehead learns there’s only one way for a woman to survive in it: be as tempting as a cupcake and as tough as a 75-cent steak. In the first of three collaborations with director Vincent Sherman, Joan Crawford brings hard-boiled glamour and simmering passion to the role of Ethel, who moves from the wrong side of the tracks to a mobster’s mansion to high society one man at a time. Some of those men love her. Some use her. And one a high-rolling racketeer abuses her. When the racketeer murders his rival in Ethel’s swanky living room, she flees a sure murder rap right back to the poverty she thought she had escaped. And this time there may not be a man to pick up the pieces of her shattered life. Read More »

Shinya Tsukamoto – Akumu Tantei 2 aka Nightmare Detective 2 (2008)

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Yukie and two of her girlfriends are being haunted by the ghost of a classmate, they once heavily bullied. When the other two die under mysterious circumstances, Yukie sees only one chance for herself. With the help of the Nightmare Detective (Ryuhei Matsuda) she hopes to escape her hopeless situation.

From IMDB:
NIGHTMARE DETECTIVE 2 surpasses it’s predecessor on almost all levels. For one thing, though the film has a slightly more poetic feel to it (as opposed to the dark and chaotic nature of the original), it’s laden with depression and grief, adding a foreboding atmosphere that grows stronger as the film progresses. While the first film had a more straightforward plot (albeit still following Tsukamoto’s puzzling logic at times), now the story features a well-balanced duality. When Kyoichi starts to learn more about the origin of Yukie’s nightmares, he discovers parallels with his own past which will eventually lead to more discoveries concerning the mystery of his own, cursed persona. Read More »