Béla Tarr – Macbeth (1982)

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Description: Made for television, this version of Shakespeareâs Macbeth contains only two shots, of five and sixty-seven minutes respectively. For critic Jonathan Rosenbaum it marks a turning point in Tarrâs career: “Practically all the important action is staged in the foreground, with the camera following some characters and picking up others as it relentlessly tracks their movements and machinations through fog, torchlight, and dank, grottolike settings. …this video reprises elements from Tarrâs first three features while anticipating the extended, choreographed camera movements and metaphysical demonology of his second three. Read More »

Béla Tarr – Utazás az alföldön aka Journey on the Plain (1995)


Rarely seen Béla Tarr short, starring composer anc Sátántangó lead actor Víg Mihály. shot on many some of the same locations as Sátántangó. Read More »

Béla Tarr – Prologue (2004)

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A short filme, 5 minutes, part of Visions of Europe.
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James Bridges – The Baby Maker (1970)


First time writer-director James Bridges shows a pitch-perfect ear and an observant, affectionate eye in this beguiling time capsule of clashing cultures and values during the Age of Aquarius. The film is also a showcase for its luminous leading lady, the ne plus ultra of hippie goddesses, Barbara Hershey “Seagull”.

From the IMDB:
“An upper-class, childless couple in Southern California ‘hires’ a comely hippie to bear the husband’s baby (this being 1970, she conceives the old-fashioned way); soon, the straight-laced twosome are drawn into the young woman’s world. Interesting, insightful, provocative (for its time), the movie does follow a typical by-the-numbers pattern (with an ‘open minded’ boyfriend, jealousies and friction on all sides), but writer-director James Bridges is very tasteful and unhurried. He also gets some lovely shots of Barbara Hershey at her chestnut-haired, go-go-booted best (my favorites were her run across the street at the beginning, a stunning glimpse of her through a rain-soaked car window, and under the sheets in bed). The incredible finale refuses to compromise, and even though the medical aspects of the story are dated, the emotions are still on-target.” Read More »

Dominic Savage – Love + Hate (2005)


A white boy falls in love with a Muslim girl in a northern town with a history of racial conflict.

Love & Hate is a modern love story set across the racial divide in a Northern town. Adam has been brought up in a home and community that fosters racial hatred. Naseema is a girl from the same town, belonging to a new generation of Asian youth who have taken up the violence offered to them as a way of reclaiming the past. But what Adam and Naseema really share is a secret desire to break free of their small town and its inhibitions, something they discover while working together in a DIY store. At first resistant, they cannot avoid their mutual attraction, and embark on a relationship which threatens to bring down their families as well as themselves. Read More »

Jirí Menzel – Obsluhoval jsem anglického krále aka I Served the King of England (2006)


While serving the cream of Prague society, humble waiter, Jan Díte (Ivan Barnev) dreams of owning his own hotel and becoming a millionaire. Full of desire and ambition, he hustles his way towards his dream. But getting a fortune and keeping it are two different things. Directed by celebrated Czech director Jirí Menzel and set in German occupied Czechoslovakia during World War II, I served the King of England (Obsluhoval jsem anglického krále) is a bitter-sweet comedy exploring the gradual maturing of an ambitious man who, suddenly in love and guided by stupidity rather than opportunism, finds himself on the side of the occupying power. Read More »

Vittorio De Sica – Umberto D. (1952)

Shot on location with a cast of nonprofessional actors, Vittorio De Sica’s neorealist masterpiece follows Umberto D., an elderly pensioner, as he struggles to make ends meet during Italy’s postwar economic boom. Alone except for his dog, Flike, Umberto strives to maintain his dignity while trying to survive in a city where traditional human kindness seems to have lost out to the forces of modernization. Umberto’s simple quest to fulfill the most fundamental human needs—food, shelter, companionship—is one of the most heartbreaking stories ever filmed and an essential classic of world cinema. Read More »