Krzysztof Kieslowski – Refren AKA Refrain (1972)

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a description by one of IMdB members:

Though this film illustrates how death has been reduced to ‘The Numbers’ it is implied at the end that both life and death have been reduced to the numbers. This film is uniquely shot from the point-of-view of the bureaucrats whose job it is to deregistrant the living to give their survivors permission to buy things like graves, coffins etc. The first image is of tearing out the pictures from identity books. It seems to be some weirdly arcane quasi-religious ritual whose purpose is at once obvious and inexplicable.

The frisson of this film is having the usual bureaucratic rigmarole, petty rules and arbitrary specifications implemented by some not so very terrible people, come up against people at their most vulnerable and emotional condition. These people have just had a loved one die and they are being dealt with by the book, by the numbers.

Background music, when its heard, is a harpsichord concerto. Read More »

Krzysztof Kieslowski – Z miasta Lodzi AKA From the City of Lodz (1968)

Quote:
Kieslowski’s thesis film from the State Higher School of Film, Television and Theatre in Lodz. A portrait of the city of Lodz. Images of buildings that are falling apart are accompanied by optimistic commentary about the city and its industries. @culture.pl Read More »

Krzysztof Kieslowski – Pierwsza milosc AKA First Love (1974)

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a description by one of IMdB members:
A pretty 17 year old girl is told she’s pregnant by a doctor who also says that she is not a candidate, for some unexplained reason, for an abortion. Instead she is going to marry her boyfriend. The boyfriend, 20, is going to get an exemption from the draft for this. Someone say ‘silver lining’? Read More »

Krzysztof Kieslowski – Z punktu widzenia nocnego portiera AKA From a Night Porter’s Point of View (1978)

Quote:
Portrait of factory watchman Marian Osuch, who turns out to be a fanatic of discipline wanting to control everything and everyone. A metaphorical image of totalitarianism. @culture.pl Read More »

Krzysztof Kieslowski – Murarz AKA Bricklayer (1973)

Quote:
A film about bricklayer Józef Malesa, a former ‘leading laborer’ and Communist Party activist. Malesa reminisces about his past, the Stalinist years and the turmoil of October 1956. The film provides a view of Polish history through the eyes of someone who was first seduced by the enthusiasm of building a new reality and then disappointed by the new order. @culture.pl Read More »

Krzysztof Kieslowski – Kieslowski On Kieslowski (1993)

Kieslowski on Kieslowski
Edited by Danusia Stock
Published by Faber and Faber, 1993 (268p.)
Quote:
From Danusia Stok on the genesis of the book:
This book is largely based on interviews recorded with Kieslowski in Paris in December 1991 and May 1992 when he was working on the scripts of the triptych Three Colours. A third set of interviews, covering the triptych, was recorded in Paris in the summer of 1993 once Three Colours had been shot.
Excerpts from Kieslowski’s reflections written for the monthly cultural magazine Du (Zurich, Switzerland) have been worked into the text. The passages are my own direct translation of Kieslowski’s original words. Read More »

Krzysztof Kieslowski – Dworzec aka Railway Station (1980)

Quote:
Warsaw’s Central Railway Station. ‘Someone has fallen asleep, someone’s waiting for somebody else. Maybe they’ll come, maybe they won’t. The film is about people like that, people looking for something. Read More »