1960s

Point Blank is a 1967 American crime film directed by John Boorman, starring Lee Marvin and featuring Angie Dickinson, adapted from the crime noir pulp novel The Hunter by Donald E. Westlake, writing as Richard Stark. Boorman directed the film at Marvin’s request and Marvin played a central role in the film’s development and staging. The film was not a box office success in 1967 but has since gone on to become a cult classic, eliciting praise from such critics as film historian David Thomson.Read More »

Aniceto is used to being lonely. When Francisca offers him her true love, his personal limitations and little miseries arise.Read More »

Howard Thorne is a rapist in Los Angeles: he meets women at work and at parties or he sees them walking down the street, and he follows them, terrifies them, and assaults them. He also dreams about these assaults, and he’s unclear how much of what he’s done is real and how much is fantasy. He ignores his heroin-using wife, Vicki, who tries everything she can think of to get his sexual attention. Howard and Vicki go separately to a costume party where she learns the full truth about his nature and where he is stalked by one of his recent victims. Individualized versions of Hell await Howard and Vicki.Read More »

Sun Wukong, the King of the Monkeys, sets off on his first adventure to gain a worthy weapon. This earns the attention of the Jade Emperor of Heaven.Read More »

A black-and-white experimental film with light and shade – the basic materials of cinematography and other projected art forms.Read More »

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Cutthroat careerism, wild sex, and fierce female protagonists are all on offer in this adaptation of Jacqueline Susann’s sensational and wildly popular novel. Patty Duke, Barbara Parkins, and Sharon Tate star as three friends attempting to navigate the glamorous, pressurized world of big-time show business—the “valley” is not a place but a narcotized state of mind, and the “dolls” are the pills that rouse them in the morning and knock them out at night. Blending old-fashioned gloss with Madison Avenue grooviness, director Mark Robson’s slick look at the early days of sexual liberation and an entertainment industry coming apart was a giant box-office hit, and has become an unforgettably campy time capsule of the 1960s.Read More »

This first film adaptation of Bertolt Brecht’s play about class distinctions was made in 1955 in the Vienna Rosenhügel studios, but it was only premiered five years later. Curt Bois plays the rich capitalist Puntila who only becomes somewhat agreeable when he is drunk (which he is most of the time in this film). In his inebriated state, Puntila not only gets amorously involved with three different ladies but also suggests that his daughter Eva marries his chauffeur Matti. The chauffeur, however, doesn’t really agree…Read More »

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Farmers and their families, engineers, technicians, criminals and prostitutes were acquired on the construction of industrial facilities in Zenica. Siba tries to help them, working with dedication and love that goes beyond his duty. It is difficult to satisfy everyone and achieve more in this scorching city and Siba makes mistakes, carried by desire to achieve the impossible. With great effort, the builders manage to overcome the maelstrom after the dam burst, and while the first iron runs from the new furnace, Siba, dismissed because of errors committed, leaves a boom town of Zenica.Read More »

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Four young people are trying to understand why their friend, a young woman, committed a suicide. A film made up of disconnected scenes weaving between past and present. The title of the film comes from a poem by Stuart Perkoff which tells that some young people felt (around 1960) that everything is against them, so much that even the trees in the parks and streets seemed to them like guns pointing at their very existence.
– Jonas MekasRead More »