Adolfo Llauradó

  • Daniel Díaz Torres – Jíbaro AKA Wild Dogs (1985)

    1981-1990ActionCubaDaniel Díaz TorresDrama

    The first years of the revolution, characterized by social transformations and class struggle, make man’s challenge to the animal fade into the background. A very skilled hunter, attached to his world and his myths, does not adapt easily to a changing context. A personal conflict will contribute to deepen his contradictions; his virtues as a hunter will be put to the test.Read More »

  • Manuel Octavio Gómez – La primera carga al machete AKA The First Charge of the Machete (1969)

    1961-1970Amos Vogel: Film as a Subversive ArtArthouseCubaManuel Octavio GómezPolitics

    From Amos Vogel’s Film as a Subversive Art:
    Possibly the most ‘aesthetic’ and ‘experimental’ of revolutionary Cuba’s films, this outstanding work utilizes high-contrast photography, over-exposure, and solarization to create the faded chiaroscuro and poetic authenticity of the period it depicts. The film deals with an 1870 uprising against the Spanish occupation troops in Cuba, in which the machete, originally used to cut sugar cane, becomes a weapon of the people’s warfare. The portrayals of decadent upper classes and heroic peasants are sharp and incisive, and distancing devices – such as characters addressing the camera – are used to induce attitudes of analysis instead of involvement. The emergence of such a strongly poetic work within the Cuban film industry testifies to the divergent aesthetic tendencies permitted expression within the revolution.Read More »

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