An in depth look at the making of Kurosawa’s films.
The series consists of episodes of varying length, typically between 30 and 60 minutes, which chronicle the making of Kurosawa’s films. Altogether 21 of Kurosawa’s 30 films are covered by the series: basically, the ones that he shot for Toho studios.Read More »
An in depth look at the making of Kurosawa’s films.
The series consists of episodes of varying length, typically between 30 and 60 minutes, which chronicle the making of Kurosawa’s films. Altogether 21 of Kurosawa’s 30 films are covered by the series: basically, the ones that he shot for Toho studios.Read More »
An in depth look at the making of Kurosawa’s films.
The series consists of episodes of varying length, typically between 30 and 60 minutes, which chronicle the making of Kurosawa’s films. Altogether 21 of Kurosawa’s 30 films are covered by the series: basically, the ones that he shot for Toho studios.Read More »
An in depth look at the making of Kurosawa’s films.
The series consists of episodes of varying length, typically between 30 and 60 minutes, which chronicle the making of Kurosawa’s films. Altogether 21 of Kurosawa’s 30 films are covered by the series: basically, the ones that he shot for Toho studios.Read More »
Dersu Uzala is the enthralling tale of an eccentric indigenous frontiersman (Maxim Munzuk) who is taken on as a guide by a Soviet surveying crew. While the soldiers at first perceive Dersu as a naive and comical relic of an uncivilized age, he quickly proves himself otherwise with displays of ingenuity and bravery unmatched by any member of the inexperienced mapping team, on more than one occasion becoming their unlikely saviour. An amazing true story based on the memoir by Russian explorer Vladimir Arsenyev.
Filmed in the far reaches of Siberia, it took over two years for Director Akira Kurosawa to complete this timeless masterpiece of cinema which was shot in 70mm and was honoured with the Oscar for Best Foreign-Language Film in 1976.Read More »
A handsome, suave Toshiro Mifune lights up the screen as painter Ichiro, whose circumstantial meeting with a famous singer (Yoshiko Yamaguchi) is twisted by the tabloid press into a torrid affair. Ichiro files a lawsuit against the seedy gossip magazine, but his lawyer, Hiruta (Kurosawa stalwart Takashi Shimura), is playing both sides. A portrait of cultural moral decline, Scandal is also a compelling courtroom drama and a moving tale of human redemption.Read More »
After finishing what would become his international phenomenon Rashomon, Akira Kurosawa immediately turned to one of the most daring, and problem-plagued, productions of his career. The Idiot, an adaptation of Fyodor Dostoyevsky’s nineteenth-century masterpiece about a wayward, pure soul’s reintegration into society—updated by Kurosawa to capture Japan’s postwar aimlessness—was a victim of studio interference and, finally, public indifference. Today, this “folly” looks ever more fascinating, a stylish, otherworldly evocation of one man’s wintry mindscape.Read More »
An elderly woman living in Nagasaki, Japan takes care of her four grandchildren for their summer vacation. They learn about the atomic bomb that fell in 1945, and how it killed their grandfather.Read More »
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How does a director whose work has long been characterized by its vibrancy deal with the subject of aging and death? With extraordinary patience and grace, it turns out. Madadayo is the last film Akira Kurosawa completed before his death in 1998, and it feels like the work of an artist aware that his time was nearing its end. (The fact that the 1993 film is only now receiving a video release in America after an extremely limited theatrical run doesn’t speak well of current attitudes toward elder greats.) The theme of aging recurs throughout Kurosawa’s later efforts, but never as explicitly as here; even the King Lear-based Ran has other concerns. Read More »