Tag Archives: Andrew Bujalski

Andrew Bujalski – Beeswax (2009)

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Beeswax is Bujalski’s third feature and the first to be conceived and shot since Funny Ha Ha (2002) and Mutual Appreciation (2003) turned him into a rising indie star. For the most part, it’s just as insular and homogeneous as any of the films Taubin rapped in Film Comment. It takes place in Austin, Texas, the little countercultural cocoon that launched Bujalski’s career, and most of the action centers on a funky little vintage clothing boutique favored by college students and the like. Its primary characters are all young, straight, white, middle-class, and college educated. And like so many other mumblecore movies, Beeswax is largely preoccupied with sexual and romantic maneuvering, as a young couple who’ve broken up circle each other tentatively and get back together. Read More »

Andrew Bujalski – Peoples House (2007)

Walter Francis (Bill Morrison) and Jerry Peoples (Ralph Tyler), two characters from Mutual Appreciation, share a visit at the Peoples’ home in the countryside. Read More »

Andrew Bujalski – Computer Chess (2013)

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Set over the course of a weekend tournament for chess software programmers thirty-some years ago, Computer Chess transports viewers to a nostalgic moment when the contest between technology and the human spirit seemed a little more up for grabs. We get to know the eccentric geniuses possessed of the vision to teach a metal box to defeat man, literally, at his own game, laying the groundwork for artificial intelligence as we know it and will come to know it in the future. Read More »

Andrew Bujalski – Support the Girls (2018)

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In Bujalski’s new film (notable director of Computer Chess, Funny Ha Ha, and Mutual Appreciation), the general manager at a highway-side ”sports bar with curves” has her incurable optimism and faith, in her girls, her customers, and herself, tested over the course of a long, strange day. Read More »

Dia Sokol Savage – Sorry, Thanks (2009)


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Plot: Reeling from a brutal break-up, Kira sleeps with Max, a charming but disheveled wreck already committed to long-term girlfriend Sara. Max (no emotional sophisticate) becomes obsessed, mostly with Kira, but vaguely with his curious lack of conscience as well. Kira, fighting to win a job she hates and running aimless romantic loops, faces the precarious double challenge of choosing a next step and charting a course back to sanity. Good luck leading with your heart, when your heart is an utter emotional idiot. Read More »