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Based on a true story, this film focuses on three Polish labourers of vastly different social, cultural, and ethnic backgrounds. Unlike many of their recalcitrant contemporaries, the three men overcome their differences and work together. Eventually they create a textile factory founded upon the edicts of equality, trust, and respect.Read More »
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Made after THE DAMNED, but before 1900, this operatic-style melodrama, about the industrial revolution in Lodz ca. 1895, is far better than either. Like the other two films, it takes an extreme situation in history and makes it more extreme, piling on the excess. Two examples here: a garden party that’s like a Roman orgy, with naked women, tigers in cages, etc., and a scene where a worker grapples with his boss and they fall into a giant machine which instantly spews out their bodies as huge chunks of raw meat. But whereas Visconti, and, particularly, Bertolucci, ultimately drown under their excesses, Wajda maintains total control over his narrative. Read More »
From Wikipedia:
“Gates to Paradise” is a 1968 film by Polish director Andrzej Wajda. The film is set in medieval France and is based on a story by Polish writer Jerzy Andrzejewski (1960) that seeks to expose the motives behind youthful religious zeal. It was entered into the 18th Berlin International Film Festival.
In 1212, a Children’s Crusade is launched after Jakob (John Fordyce) claims to have had a vision in which it is said that the innocence of children would be able to liberate Jerusalem. A monk (Lionel Stander), returning from Jerusalem, joins the crusade and hears the children’s confessions, gradually realizing that most of them are taking part not for religious, but for more worldly reasons, like rejected love.Read More »
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This film was born of a theatrical production of Nastasya Filipovna, first staged in 1977 at the Stary Teatr in Cracow. I based my adaptation on the last chapter of Fyodor Dostoyevski’s The Idiot, in which Prince Myshkin and Rogozhin return to the past in a conversation over the dead body of Nastasja.
For years I was tormented by apprehension, and later, by certainty that there exists some better solution for a stage version of The Idiot. Finally chance came to my aid. When in 1981 I visited Kyoto, I saw a performance of La Dame aux Camélias. In this way I met Tamasaburo Bando, one of the greatest Japanese performers of female roles.Read More »
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A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being “unwanted” parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding is reduced to silence.Read More »
The Dead Class (1975), by Tadeusz Kantor and the Cricot 2 company, is considered one of the most innovative and influential works of twentieth-century theatre. The breakthrough first version of the production – performed to great critical acclaim, but only rarely seen live by audiences outside Poland – was documented on film in 1976 by the Oscar-winning director Andrzej Wajda.Read More »
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The authors decidedly refute the myth of the woman – guardian of the hearth. Their heroine is a modern and an energetic girl who demands her partners to be successful in every field. A beginning writer and translator, running from his wife and mother-in-law, falls into her trap. What happens to a sensitive man in an encounter with overwhelming female force?Read More »
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I wasn’t satisfied with the first two versions of the script which I had commissioned in Warsaw.
Luckily for me, at that time Bulgakov’s novel The Master and Margarita was first published in Poland. I was thrilled by it. I realized that I would not find a better text for the film than the story of Pilate. Everything was there: Christ, Pilate’s dark intrigue, Judas’ betrayal and the desperate loneliness of the single disciple and Evangelist.Read More »
Poland, during the World War. Lotna is a magnificent specimen of Arabian horse, the
pride of her owner, too old to actually ride her but to whom she remains faithful
nevertheless. The Polish cavalry army is also proud of their land, and loyal to rules, and
custom. The German army is leading an overwhelming speed attack with tanks, an
almost unheard of weapon, and bringing a way of life to an end. It’s the last battle
between Lotna (speed horse) and Blitzkriega (speed war).Read More »