Tag Archives: Angela Schanelec

Hartmut Bitomsky – Die UFA (1992)

Quote:
The latest film by Hartmut Bitomsky is, just like much of his early work, a original film essay about film and film history. Just as in earlier films, he makes inventive use of the potential offered by the medium video to analyse films.The history of the UFA is the story of a risky financial venture in the twenties and a propaganda instrument in the thirties. Bitomsky’s approach stands out because he involvesthis social and political context in investigating and dissecting films. Read More »

Angela Schanelec – Ich war zuhause, aber… AKA I Was at Home, But… (2019)

Variety:
Film Review: ‘I Was at Home, But…’

Taking its cue from the punctuation in its title, Angela Schanelec’s latest auteur puzzle is elegant and entirely elliptical.

Take note of that unfurling ellipsis in the title of “I Was at Home, But…,” for it’s the first of legion in the latest tranquil brainteaser from Berlin School auteur Angela Schanelec. After unaccountably disappearing for a week, a 13-year-old boy’s return home triggers a variety of physical and psychological maladies in the household: that’s the plainest precis possible, but any potted description of this radically opaque family drama is likely to make it sound more straightforward than it is. Read More »

Angela Schanelec – Ich war zuhause, aber AKA I Was at Home, But (2019) (HD)

Synopsis
After a 13-year-old student disappears without a trace for a week and suddenly reappears, his mother and teachers are confronted with existential questions that change their whole view of life. Read More »

Angela Schanelec – Plätze in Städten AKA Places in Cities (1998)

Synopsis
Mimmi lives with her mother in an apart-ment on the edge of town. They won’t be living together for much longer because Mimmi is about to take her final exams at school and will soon move out. Mimmi’s mother is still young and sometimes wish-es Mimmi didn’t need her so much and yet, at other times, that she needed her more, like before. But Mimmi herself doesn’t say very much and it’s often hard to tell what thoughts preoccupy her. She sees her girlfriend, goes out with her boyfriend; she also has the odd flash-in-the-pan relationship with other men. She is often alone – perhaps just waiting for the time to pass, or for a new life to begin. On a school trip to Paris she meets and sleeps with a young man. When she gets back to Berlin she discovers that she is pregnant. She heads for Paris again where she spends two days trying to find the father of her child. She has no money and doesn’t even know where she can sleep. She begins to daydream – and gets more and more tired. Read More »

Matthew Porterfield – Take What You Can Carry (2015) (HD)

Synopsis
A character study as well as a meditation on communication, creativity, and physical space, Take What You Can Carry is a picture of a young woman seen through the interiors she occupies and the company she keeps. A North American living abroad, Lilly aspires to shape an intimate and private place of her own while connecting to the world around her. When she receives a letter from home, it provides the conduit she needs to fuse her transient self with the person she’s always known herself to be. Read More »

Angela Schanelec – Orly (2010)


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SYNOPSIS
Amidst the impersonal hubbub of Paris’ Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.

REVIEW
Quote:
Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. Read More »

Angela Schanelec – Orly (2010)

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Amidst the impersonal hubbub of Paris’ Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit.

Quote:
Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. Read More »