Anne Baxter

In a peaceful Ukrainian village, the school year is just ending in June 1941. Five young friends set out for a walking trip to Kiev, but their travels are brutally interrupted when they are suddenly attacked by German planes, in the first wave of the Nazi assault on the Soviet Union. When the village itself is attacked and occupied, most of the men flee to the hills to form a guerrilla unit. The others resist the Nazis as well as possible, but soon the village is placed under the command of a Nazi doctor who begins using the town’s children as a source of constant blood transfusions for wounded German soldiers. Meanwhile, the small group of young persons tries desperately to take a supply of firearms to the guerrillas.Read More »

Synopsis : “Eve. Eve, the golden girl. The cover girl. The girl next door. The girl on the moon. Time has been good to Eve. Life goes where she goes. She’s been profiled, covered, revealed, reported — what she eats and what she wears, whom she knows and where she was, and when and where she’s going. Eve. You all know all about Eve. What can there be to know that you don’t know?”
-Addison DeWitt, Theatre criticRead More »

Plot Summary:
A manipulative female con artist gets entangled in her own web of deceit.Read More »

In 1876 Dawson wants to prevent a train from getting to Tomahawk CO on time, to keep it from competing with his stage coach line. Kit, who must get the train to its goal, forces Johnny aboard as the needed passenger. Madame Adelaide’s showgirls (including Marilyn as Clara) ride along and, en route to Tomahawk, join Johnny in Oh, What a Forward Young Man You Are.
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Why has total stranger Richard Todd shown up at the villa of wealthy Anne Baxter? Why does he claim to be her long-lost brother? Is Todd planning to finagle Baxter out of her inheritance? Is someone going to end up seriously dead? The answers to these questions can be found in Chase a Crooked Shadow, a confounding chiller with more than a few adroit plot twists. Before the film has run its course, we learn that the true villain is not necessarily whom it appears to be–nor is the heroine all that she seems.Read More »

Synopsis:  Based on the turn-of-the-century play Our Two Consciences by Paul Anthelme, Hitchcock’s I Confess is set in Quebec. Montgomery Clift plays a priest who hears the confession of church sexton O.E. Hasse. “I…killed…a man” whispers Hasse in tight closeup–and, bound by the laws of the Confessional, Clift is unable to turn Hasse over to the police. But police-inspector Karl Malden has a pretty good idea who the guilty party is: all evidence points to Clift. It seems that the dead man had been blackmailing Anne Baxter, who was once in a factually innocent, but seemingly exploitable compromising position with Clift. Tried for murder, Clift is released due to lack of evidence, but he is ruined in the eyes of the community. Then it is Hasse’s turn to make that One Fatal Error. I Confess is frequently dismissed as a lesser Hitchcock, due mainly to the quirky performance of Montgomery Clift (who, it is said, steadfastly refused to take direction). Today, four decades removed from its on-set intrigues, the film has taken its place as one of the best of Hitchcock’s “between the classics” efforts. — Hal EricksonRead More »