Anne Wiazemsky

  • Marcel Hanoun – La vérité sur l’imaginaire passion d’un inconnu (1974)

    1971-1980DramaFranceMarcel Hanoun

    Synopsis
    A very personal interpretation, to say the least, of the passion of the Christ According to St. John. (imdb)Read More »

  • Adolfo Arrieta – Grenouilles (1983)

    1981-1990Adolfo ArrietaArthouseFantasyFrance

    Grenouilles (Frogs) is perhaps Arrieta’s strangest film. Anne Wiazemsky plays a beautiful Russian spy, Nora, who arrives on an island in the middle of the ocean, to avenge the betrayal of her lover, the artist Tibor. Other characters include a spy from UNESCO, a mysterious stranger who is plotting the end of the world, and a gang of thieves disguised as frogmen…Read More »

  • Philippe Garrel – Elle a passé tant d’heures sous les sunlights… aka She Spent So Many Hours Under the Sun Lamps (1985)

    1981-1990DramaFrancePhilippe Garrel

    Quote:
    Faceted, fragmented, and oneiric, Philippe Garrel’s Elle a passé tant d’heures sous les sunlights… (She Spent So Many Hours Under the Sun Lamps) is more exorcism than expurgation, elegy than lamentation – an abstract, yet lucid chronicle of love and loss, death and birth sublimated through textural, self-reflexive impressions, visceral gestures, and metaphoric tableaux. A profoundly personal film dedicated to the memory of friend and fellow filmmaker (and May 68 idealist) Jean Eustache, and haunted by the unreconciled specter of Garrel’s failed relationship with Nico, the film opens to a crepuscular image of a couple – perhaps an actor and his lover (Jacques Bonnaffé and Anne Wiazemsky) as apparent surrogates for Garrel and Nico – in the midst of a breakup on a public street on a cold, winter evening, as their seemingly tenuous reconciliation is truncated by the subsequent shot of the couple returning home, and an all too familiar rupture as she once again lapses into the desensitized haze of heroin addiction in the distraction of his preoccupying rehearsals.Read More »

  • Philippe Garrel – L’enfant secret AKA The Secret Child (1979) (HD)

    1971-1980DramaFrancePhilippe Garrel

    After the generational upheaval of May ’68 and its aftermath, and the personal upheavals of drug addiction, depression, and shock therapy, Garrel made the conscious decision to turn away from the increasingly private poetry of his earlier work, at the center of which was his great love Nico. He turned to the great screenwriter Annette Wadamant, who helped him to organize his thoughts into a narrative of “things that happened to me,” and the result was this spare, elemental, devastating film about two damaged souls (Henri de Maublanc and Anne Wiazemsky) trying to build a life together as her child (Xuan Lindenmeyer) is taken away. As Serge Daney wrote, “It’s as if this autobiographical film has succeeded in holding its bearings without forgetting the trace of each stage of the journey it’s passed through.”Read More »

  • Adolfo Arrieta – Grenouilles (1983)

    Adolfo Arrieta1981-1990ArthouseFantasyFrance

    Grenouilles (Frogs) is perhaps his strangest film. Anne Wiazemsky plays a beautiful Russian spy, Nora, who arrives on an island in the middle of the ocean, to avenge the betrayal of her lover, the artist Tibor. Other characters include a spy from UNESCO, a mysterious stranger who is plotting the end of the world, and a gang of thieves disguised as frogmen….Read More »

  • Philippe Garrel – L’enfant secret AKA The Secret Child (1979)

    1971-1980ArthouseFrancePhilippe Garrel

    Quote:
    Four chapters based on the birth of a ‘secret child’, or a film, with chapter titles: “La séction Césarienne” (Caesarian section: a descriptive detail introducing the mother); “Le dernier guerrier” (the last warrior: how the father sees himself); “Le cercle ophydique” (the serpent’s closed circle: the couple reunites at the psychiatric ward); “Les forêts désenchantées” (unfairy forests: the film in the making).Read More »

  • Robert Bresson – Au hasard Balthazar (1966) (HD)

    1961-1970ArthouseClassicsFranceRobert Bresson

    Quote:
    The story of a mistreated donkey and the people around him. A study on saintliness and a sister piece to Bresson’s Mouchette.

    Quote:
    In the French countryside near the Pyrenees, a baby donkey is adopted by young children – Jacques and his sisters, who live on a farm. They baptize the donkey (and christen it Balthazar) along with Marie, Jacques’ childhood sweetheart, whose father is the teacher at the small school next-door. When one of Jacques’ sisters dies, his family vacates the farm, and Marie’s family take it over in a loose arrangement. The donkey is given away to local farmhands who work it very hard. Years pass until Balthazar is involved in an accident and runs off, finding its way back to Marie, who is now a teenager. But her father gets involved in legal wrangles over the farm and the donkey is given away to a local bakery for delivery work.Read More »

  • Marco Ferreri – Il Seme dell’uomo aka The seed of man (1969)

    Arthouse1961-1970ItalyMarco FerreriSci-Fi

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    During a Post-Apocalyptic period in the near future the majority of the European population has been wiped out by some sort of undefined plague. Cino and Dora, a young couple, are rounded up by what constitutes the authorities on an isolated temporary base. They are examined and given antibiotics which will protect them for six months, told to pick out a deserted house to live in the area, and use that time to conceive a child. They are later visited by an enigmatic group of black-clothed, initially threatening vigilantes who are evidently satisfied with the couple when they hear that a child is contemplated. However, despite her evident fondness for Cino, Dora is reluctant to try to conceive a baby. Then their domestic tranquility is interrupted by a beautiful French interloper who seems as if she is more than willing to fill in for Nora and conceive Cino’s children.Read More »

  • Jean-Luc Godard – La chinoise [+commentary] (1967)

    1961-1970AdventureFranceJean-Luc GodardPolitics

    Synopsis:
    Born in a decade of political turmoil, La Chinoise has become a cinematic marker for the significant historical events that surrounded its creation. Five Parisian students, their political awareness aroused by Chairman Mao’s Little Red Book and the Chinese Cultural Revolution, envision an overthrow of Western governmental systems – which they aim to bring about through acts of terrorism. One of Godard’s most brilliant films of the 60s, its success lies in the rejection of traditional narrative techniques: it is a dialectical charade which is as disturbing as it is comical. Though criticised in its day as a political manipulation, La Chinoise has proven alarmingly prophetic and its impact on audiences during the late 60s is echoed amongst viewers today.Read More »

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