As a leader of the local community, Chairman Amin bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION Read More »
Tag Archives: Bengali
Ranjit is a young man who has been assured a lucrative job in an Indo-British firm by a family friend. All he has to do is turn up for the interview dressed in a western-style suit. As luck would have it, all city laundries are on strike that morning, and his only suit is dirty. The film is a frantic search for a new suit to be borrowed from any of his friends, to make it in time for the interview. Read More »
Through the microcosmic perspectivising of a group of devoted and uncompromising IPTA workers, Ghatak with his signature style touches on varied issues of partition, idealism, corruption, the interdependence of art and life, the scope of art, and class-struggle. Read More »
A movie about making a movie. A young, idealistic director arrives in a village to make a picture set during the Great Bengal Famine. It’s a film that he hopes will reveal the problems and privations still current in rural India.
National Award 1981 – Golden Lotus (Best Film)
Berlin Film Festival 1981 – Silver Bear. Read More »
Shimu, 23, works in a clothing factory in Dhaka, Bangladesh. Faced with difficult conditions at work, she decides to start a union with her co-workers. Despite threats from the management and disapproval of her husband, Shimu is determined to go on. Together the women must fight and find a way. Read More »
Amar Lenin is a 1970 black and white documentary film directed by film director Ritwik Ghatak made for Government of West Bengal in the centenary year (1970) of the birth of Vladimir Lenin.
After making the film, countries such as the Soviet Union and the People’s Republic of Poland approached Ritwik Ghatak for him to show the movie in those countries. However, issues arose with the National Film Censorship Board of India which did not approve of the movie and banned it in India. Ghatak and his team had to work hard to have the movie passed by the censorship board. Ritwik Ghatak personally met with Indira Gandhi on this matter. Read More »
A young boy becomes a target for crooks, after he claims to remember his past life and mentions precious jewels in a golden fortress. Read More »