Tag Archives: Benjamin Biolay

Bruno Dumont – France (2021)

Lawrence Garcia, Cinemascope wrote:
In the seven years since P’tit Quinquin, it has become impossible to continue tagging Bruno Dumont with the longstanding clichés of Bresson criticism. Epithets like “ascetic,” “severe,” “punishing”—already limited descriptors of his first two works, La vie de Jésus (1997) and L’humanité (1999)—have only become more obviously incapable of describing Dumont’s recent films, from the carnivalesque contortions of Ma Loute (2016) to the musical extremes of his Jeanne d’Arc movies. Still, as Dumont’s methods (particularly his increasingly frequent use of professionals alongside non-actors) have ostensibly moved away from those of Bresson, the deeper affinities between the two filmmakers have only become clearer. Read More »

Emmanuel Finkiel – La douleur AKA Memoir of war (2017)

Quote:
June 1944, France is still under the German occupation. The writer and communist Robert Antelme, major figure of the Resistance, is arrested and deported. His young wife Marguerite Duras, writer and resistant, is torn by the anguish of not having news of her and her secret affair with her comrade Dyonis. She meets a French agent working at the Gestapo, Pierre Rabier, and, ready to do anything to find her husband, puts himself to the test of an ambiguous relationship with this troubled man, only to be able to help him. The end of the war and the return of the camps announce to Marguerite Duras the beginning of an unbearable wait, a slow and silent agony in the midst of the chaos of the Liberation of Paris. Read More »