Bérénice Bejo

  • Sergio Castellitto – Il materiale emotivo AKA A Bookshop in Paris (2021)

    Sergio Castellitto2021-2030ComedyDramaItaly

    A librarian lives with his disabled daughter in his Parisian bookstore. Various characters will change their lives.Read More »

  • Asghar Farhadi – Le passé AKA The Past (2013)

    Asghar Farhadi2011-2020DramaFranceMystery
    Le passé (2013)
    Le passé (2013)

    An Iranian man deserts his French wife and two children to return to his homeland. Meanwhile, his wife starts up a new relationship, a reality her husband confronts upon his wife’s request for a divorce.Read More »

  • Marco Bellocchio – Fai bei sogni AKA Sweet Dreams (2016)

    2011-2020DramaItalyMarco Bellocchio

    Quote:
    With the innocuously titled Sweet Dreams (Fai bei sogni), Italian director Marco Bellocchio stages a gentle, eminently watchable return to some of the key themes that have haunted his 50 years of filmmaking, particularly the scarring left by a dysfunctional family and maternal love gone awry. The story of a 9-year-old boy who loses his beloved mother is a much simpler, more direct film than the thematically rich My Mother’s Smile (2002), and has none of the churning family anger of Fists in His Pocket (1965). But based on journalist Massimo Gramellini’s best-selling autobiographical novel, it has an emotional unity and urgency that holds the attention, only flagging in the last innings of a surprisingly compact drama running well over two hours.Read More »

  • Michel Hazanavicius – The Artist (2011)

    2011-2020DramaFranceMichel HazanaviciusRomance

    An egomaniacal film star develops a relationship with a young dancer against the backdrop of Hollywood’s silent era.Read More »

  • Michel Hazanavicius – Le Redoutable AKA Redoubtable (2017)

    Drama2011-2020ComedyFranceMichel Hazanavicius

    Quote:
    Paris, 1967. Jean-Luc Godard, the maker of “A bout de souffle”, “Le Mépris” and “Pierrot le fou”, idolized by critics and intellectuals, is shifting from revolutionizing cinema to becoming a revolutionary tout court. Isn’t he shooting “La Chinoise”, more a political tract in favor of Maoism than an actual movie? His female star is Anne Wiazemsky, writer François Mauriac’s granddaughter, sixteen years his junior. Anne and Jean-Luc have been dating since 1966 and they marry this very year. She admires Jean-Luc’s originality, intelligence, wit and boldness while he loves Anne’s freshness and – admiration of him. But May 1968 puts their marriage to the test. Godard, who is more and more involved in the revolution, indeed becomes less and less available to his young wife, which does not prevent him from acting jealous. It also looks as if the genius is losing his sense of humor.Read More »

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