Tag Archives: Brigitte Lin

Ann Hui – Jin ye xing guang can lan AKA Starry is the Night (1988)

A social worker falls in love with a teenager, and remembers an affair she had with a professor while she was at university.

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“I spent a year at the Vidal Sassoon headquarters,” brags Lydia (Brigitte Lin), a sprightly social worker trying to impress Tian-An (David Ng), a stock market whiz kid and aspiring hairstylist. It’s a fitting overture for a movie brimming with striking hair, from Tian-An’s very 1987 mullet to Cai-Wei’s very 1966 bob-with-bangs, from Dr. Zhang’s (George Lam) caterpillar mustache to Lydia’s butch-adjacent boy-cut. It works; Tian-An falls for Lydia, and despite their nearly 20-year age difference, their relationship flourishes in health and happiness—or does it? Read More »

Kar-Wai Wong – Dung che sai duk AKA Ashes of Time Redux (1994)

Two years after forming his own production company, Jet Tone, Hong Kong director Wong Kar Wai released ASHES OF TIME, a martial-arts epic based on THE EAGLE-SHOOTING HEROES, a series of novels by Louis Cha writing under the pseudonym Jin Yong. The film was set in jianghu, an imaginary world with its own views of good and evil. In 2008, unhappy with the many alternate versions of ASHES OF TIME available, Wong reedited and restored the film, working with the original negative and soundtrack, which were in severe disrepair. Read More »

Kar-Wai Wong – Dung che sai duk AKA Ashes of Time Redux (1994)

Two years after forming his own production company, Jet Tone, Hong Kong director Wong Kar Wai released ASHES OF TIME, a martial-arts epic based on THE EAGLE-SHOOTING HEROES, a series of novels by Louis Cha writing under the pseudonym Jin Yong. The film was set in jianghu, an imaginary world with its own views of good and evil. In 2008, unhappy with the many alternate versions of ASHES OF TIME available, Wong reedited and restored the film, working with the original negative and soundtrack, which were in severe disrepair. The new version, called ASHES OF TIME REDUX, which screened at such prestigious international gatherings as the Cannes, Toronto, and New York Film Festivals, is a breathtaking example of Wong’s masterly storytelling technique, combined with the stunning cinematography of Christopher Doyle and gorgeous new cello solos recorded by Yo-Yo Ma. Read More »